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The Globalization of Irish Traditional Song Performance
In The Globalization of Irish Traditional Song Performance Susan Motherway examines the ways in which performers mediate the divide between local and global markets by negotiating this dichotomy in performance practice. In so doing, she discusses the globalizing processes that exert transformative influences upon traditional musics and examines the response to these influences by Irish traditional song performers. In developing this thesis the book provides an overview of the genre and its subgenres, illustrates patterns of musical change extant within the tradition as a result of globalization, and acknowledges music as a medium for re-negotiating an Irish cultural identity within the globa...
Woman of Power
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Reimagining Community Festivals and Events
This book celebrates and builds on Alan Clarke (1956–2021) and Allan Jepson’s 2015 book Exploring Community Festivals and Events. It showcases how far the study of community festivals and events has come in the intervening years, and in so doing it is a response to recent calls for researchers to take a more critical approach to event studies. This is an interdisciplinary book that draws together empirical research across a wide range of community event types, sizes and within diverse communities. Chapters in this book are grouped into four themes that highlight the breadth and depth of work being done: reviving and maintaining tradition(s); a focus on belonging; challenges and tensions;...
Fables from the Nouvelles Poésies
The Fables of La Fontaine enjoyed universal success from their first appearance in 1668. Fifty years later a collection of songs was published in Paris based on some of these tales set to vaudeville tunes and other simple airs. For th is new edition of these unknown settings the author has written an extensive historical introduction, translated all the texts into English, and provided invaluable suggestions on performance practice. A delightful and witty addition to the concert repertory.
The Ballad-Singer in Georgian and Victorian London
An in-depth study of the nineteenth-century London ballad-singer, a central figure in British cultural, social and political life.
S.E.M. Newsletter
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New Realities
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A Short History of Irish Traditional Music
The history of Irish traditional music, song and dance from the mythological harp of the Dagda right up to Riverdance and beyond. Exploring an abundant spectrum of historical sources, music and folklore, this guide uncovers the contribution of the Normans to Irish dancing, the role of the music maker in Penal Ireland, as well as the popularity of dance tunes and set dancing from the end of the 18th century. It also follows the music of the Irish diaspora from as far apart as Newfoundland and the music halls of vaudeville to the musical tapestry of Irish America today.
Feminist Periodicals
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