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Long March to Freedom
Running late for work one morning in September 1994, Tom Hargrove, communications director for an international agricultural aid organization in Cali, Colombia, was mildly annoyed when he spotted a roadblock, or retén, manned by soldiers in fatigues. He chafed at the delay, but told himself that guerrillas and kidnappers didn’t operate on a main highway in broad daylight. But Hargrove had been dreadfully mistaken. Despite his assertions that he worked for a non-profit agricultural agency, he was forced at gunpoint into a vehicle and driven into the mountains by communist narco-terrorists who believed he was a valuable hostage. For almost a year, Hargrove was held by the guerillas and move...
A Lost Generation
Nearly fifty years old and widowed for the last ten, Lilly Larsen understands that Roger Hartec could be a heartbreaker. First, there's his age. Roger is more than ten years younger than she. And the rumor mill in Ashland Falls, Minnesota, says he might have a penchant for violence, which she witnesses him exercise. At the local museum, Roger, a Vietnam War veteran, throws a park bench through a plate-glass window that had been protecting a display of the American flag being desecrated. In spite of his violent action, Lilly finds herself attracted to this tall, strong man because of the tenderness he displays with the crying Cub Scout in her charge. With the help of two close friends, Lilly ...
Writing for Soaps
Soap opera has become the most popular form of radio and television drama and now constitutes the biggest market for modern day dramatists. For the new writer, as well as those experienced in other genres, this book reveals how Soap works. As well as covering the specifics of Soap writing, Chris Curry guides the writer through the uniquely collaborative process from storylining to finished script. 'A clear, honest, practical and funny guide to soap writing' - Valerie Windsor.
The Only War We Had
Originally published: [New York]: Ballantine Books, 1987.
71 Women in Art
This book contains 71 portraits of women artists made between 2013 and 2017. The purpose was to bring my portraits of artists archive to a state of gender parity to help balance a bit the out of balance representation of women artists in museums, galleries and collections. They include women like Squeak Carnwith, Hung Liu, M. Louise Stanley, Jeniffer Brazelton and Bella Feldman. They are all residents of Northern California. This is a catalogue to accompany the exhibition, 71 Women in Art, exhibited at Pence Gallery in Davis, CA in late 2017.
Vietnam
Originally published: New York: Ballantine Books, 1988.
Valley Leaves
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Waiting
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