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Shaw and Science Fiction
Shaw's speculations about human destiny align him with many other writers of the time, and later, who forged a new genre of literature that ultimately took the name in 1928 of "science fiction." Ray Bradbury affirms Greg Bear's statement about the little-known, but significant, relationship that Bernard Shaw has with science fiction. Bradbury, who frequently emphasizes Shaw's influence on his own work, asks, "Isn't it obvious at last: Those that do not live in the future will be trapped and die in the past?" Susan Stone-Blackburn, comparing Shaw's Back to Methuselah with Olaf Stapledon's Last and First Men, discusses why science-fiction scholars have been reluctant to acknowledge Shaw's role...
Robertson Davies, Playwright
In this book, Susan Stone-Blackburn studies how the tastes and concerns of one of Canada's leading writers have been given dramatic expression, beginning with The King Who Could Not Dream and Benoni and ending with Question Time and Pontiac and the Green Man. She also examines how Davies' playwriting has been influenced by the dominant tastes of his time and by the conditions under which his plays have been performed. Dealing with the plays chronologically, Stone-Blackburn reveals Davies' fondness for theatricality as opposed to realism, for mythic flavour and archetypal character, his romanticism, and his irrepressible humour.
The Coming Race
The story of a fascinating underground world of winged beings
Sharon Pollock
This collection of essays is the first book on Sharon Pollock's work, a career which spans over thirty years and several cities. Essays by Anne F. Nothof, Malcolm Page, Robert Nunn, Diane Bessai, Susan Stratton, Heidi Holder, Craig Stewart Walker, and Kathy Chung. Sharon Pollock became the most controversial playwright in Canada with her plays.
Robertson Davies
This collection of essays on the writing of Robertson Davies addresses the basic problems in reading his work by looking at the topics of doubling, disguise, irony, paradox, and dwelling in "gaps" or spaces "in between." The essays present new insights on a broad range of topics in Davies oeuvre and represent one of the first major discussions devoted to Davies' work since his death in 1995. Publishled in English.
Extraction Ecologies and the Literature of the Long Exhaustion
How literature of the British imperial world contended with the social and environmental consequences of industrial mining The 1830s to the 1930s saw the rise of large-scale industrial mining in the British imperial world. Elizabeth Carolyn Miller examines how literature of this era reckoned with a new vision of civilization where humans are dependent on finite, nonrenewable stores of earthly resources, and traces how the threatening horizon of resource exhaustion worked its way into narrative form. Britain was the first nation to transition to industry based on fossil fuels, which put its novelists and other writers in the remarkable position of mediating the emergence of extraction-based l...
Weird Fiction and Science at the Fin de Siècle
This book explores how nineteenth-century science stimulated the emergence of weird tales at the fin de siècle, and examines weird fiction by British writers who preceded and influenced H. P. Lovecraft, the most famous author of weird fiction. From laboratory experiments, thermodynamics, and Darwinian evolutionary theory to psychology, Theosophy, and the ‘new’ physics of atoms and forces, science illuminated supernatural realms with rational theories and practices. Changing scientific philosophies and questioning of traditional positivism produced new ways of knowing the world—fertile borderlands for fictional as well as real-world scientists to explore. Reading Robert Louis Stevenson’s Strange Case of Dr Jekyll and Mr Hyde (1886) as an inaugural weird tale, the author goes on to analyse stories by Arthur Machen, Edith Nesbit, H. G. Wells, William Hope Hodgson, E. and H. Heron, and Algernon Blackwood to show how this radical fantasy mode can be scientific, and how sciences themselves were often already weird.
The Coming Race - Encore Edition
“As I drew near and nearer to the light, the chasm became wider, and at last I saw, to my unspeakable amaze, a broad level road at the bottom of the abyss, illumined as far as the eye could reach by what seemed artificial gas lamps placed at regular intervals, as in the thoroughfare of a great city; and I heard confusedly at a distance a hum as of human voices.…” Edward Bulwer-Lytton’s The Coming Race was one of the most remarkable and most influential books published in the 1870s. The protagonist, a wealthy American wanderer, accompanies an engineer into the recesses of a mine, and discovers the vast caverns of a well-lit, civilized land in which dwell the Vril-ya. Placid vegetarian...
Black Female Vampires in African American Women’s Novels, 1977–2011
This book critically situates the figure of the black female vampire in several fields of study including literary studies, cultural studies, gender studies, and critical race studies. Black female vampires continue to appear as important literary devices and revealing indicators of cultural attitudes and trends about African American women’s bodies. This book examines five novels written by four African American women writers to investigate what it means to represent African American womanhood through the lens of vampirism, interrogate how these representations connect to or stem from historical representations of African American women, and explore how representations of black female vampires in African American women’s literature simultaneously negate, reinforce, or dismantle stereotypes of African American women.
Ethel Wilson
When Ethel Wilson published her first novel, Hetty Dorval, in 1947, she was nearly sixty years old. With her following books, she established herself as British Columbia's most distinguished fiction writer and one of Canada's best loved and most studied authors. Although she enjoyed and even encouraged her reputation as an unambitious latecomer who wrote for her own pleasure, she was, as David Stouck reveals in this book, a person who took her writing very seriously. Drawing on the Wilson papers held at the University of British Columbia, Stouck provides an important survey of Wilson's talents while at the same time offering the fullest biography of the author to date. Especially interesting is Wilson's previously unpublished correspondence with her editor John Gray and with fellow writers such as Mazo de la Roche, Earle Birney, Dorothy Livesay, and Margaret Laurence. Nine short stories are included in this volume, eight of which are previously unpublished and one which is reprinted for the first time in a collection of Wilson's work.
