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The Art of Antiquity
The archives of the American School excavations in the Athenian Agora contain a remarkable series of watercolors and drawings - well over 400 - by Piet de Jong, one of the best-known, most distinctive, and influential archaeological illustrators of the 20th century. They show landscapes, people, and, above all, objects recovered during many seasons of fieldwork at one of the longest continuously running archaeological projects in Greece.The aim of this volume is to bring these illustrations out of the storage drawers and to assemble in color a representative sample of some of the finest of Piet de Jong's contributions. Along the way, this book tells the story of the Agora excavations and assesses their contribution to scholarship. It includes essays by 16 scholars currently working at the Agora, and surveys the entire span of the material they are studying - from Neolithic poetry to the Late Byzantine and post-Byzantine frescoes from the Church of Ayios Spyridon.
Animal-shaped Vessels from the Ancient World
"This catalogue accompanies the exhibition Animal-Shaped Vessels from the Ancient World: Feasting with Gods, Heroes, and Kings, on view at the Harvard Art Museums, Cambridge, Massachusetts, from September 7, 2018, through January 6, 2019"--Colophon.
Cultural Identity in the Ancient Mediterranean
Cultural identity in the classical world is explored from a variety of angles.
Empire, Authority, and Autonomy in Achaemenid Anatolia
The Achaemenid Persian Empire (550-330 BCE) was a vast and complex sociopolitical structure that encompassed much of modern-day Turkey, Syria, Jordan, Israel, Egypt, Iraq, Iran, and Afghanistan, and included two dozen distinct peoples who spoke different languages, worshiped different deities, lived in different environments, and had widely differing social customs. This book offers a radical new approach to understanding the Achaemenid Persian Empire and imperialism more generally. Through a wide array of textual, visual, and archaeological material, Elspeth R. M. Dusinberre shows how the rulers of the empire constructed a system flexible enough to provide for the needs of different peoples within the confines of a single imperial authority and highlights the variability in response. This book examines the dynamic tensions between authority and autonomy across the empire, providing a valuable new way of considering imperial structure and development.
The Sanctuary of Demeter and Kore
This volume presents the terracotta miscellaneous finds from the Sanctuary of Demeter and Kore at Acrocorinth. The finds comprise 21 classes, including protomes and masks, altars, plaques, models of various personal and household items, and loomweights and other textile tools (the latter initially studied by Gloria S. Merker and brought to publication by Nancy Bookidis). In addition to providing a catalogue of the finds arranged according to their subjects, the authors compare these finds with similar objects found elsewhere in Greece and refer to literary, epigraphical, and visual sources to understand their possible uses and meanings and the character of religious activity that may have triggered their dedication in the sanctuary. This volume will greatly facilitate comparative studies of ancient Greek miscellaneous finds and will be an important reference for historians of Greek art as well as of Greek religion.
Color and Meaning in the Art of Achaemenid Persia
This book introduces aspects of polychromies at Persepolis in Iran and their context in a modern historiography of Achaemenid Persian Art.
Couched in Death
In Couched in Death, Elizabeth P. Baughan offers the first comprehensive look at the earliest funeral couches in the ancient Mediterranean world. These sixth- and fifth-century BCE klinai from Asia Minor were inspired by specialty luxury furnishings developed in Archaic Greece for reclining at elite symposia. It was in Anatolia, however—in the dynastic cultures of Lydia and Phrygia and their neighbors—that klinai first gained prominence not as banquet furniture but as burial receptacles. For tombs, wooden couches were replaced by more permanent media cut from bedrock, carved from marble or limestone, or even cast in bronze. The rich archaeological findings of funerary klinai throughout A...
Technologies of the Image
-This catalogue accompanies the exhibition Technologies of the Image: Art in 19th-Century Iran, on view at the Harvard Art Museums, Cambridge, Massachusetts, from August 26, 2017 through January 7, 2018.-
Beyond the Nile
From about 2000 BCE onward, Egypt served as an important nexus for cultural exchange in the eastern Mediterranean, importing and exporting not just wares but also new artistic techniques and styles. Egyptian, Greek, and Roman craftsmen imitated one another’s work, creating cultural and artistic hybrids that transcended a single tradition. Yet in spite of the remarkable artistic production that resulted from these interchanges, the complex vicissitudes of exchange between Egypt and the Classical world over the course of nearly 2500 years have not been comprehensively explored in a major exhibition or publication in the United States. It is precisely this aspect of Egypt’s history, however...
The Barbarians of Ancient Europe
Deals with the reality of the indigenous peoples of Europe - Thracians, Scythians, Celts, Germans, Etruscans, and other peoples of Italy, the Alps, and beyond.
