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The Tar Man
In Gideon the Cutpurse, an accident with an anti-gravity machine catapulted Peter Schock and Kate Dyer back to 1763. Now a bungled rescue attempt leaves Peter stranded in the 18th century whilst a terrifying villain, The Tar Man, takes his place and explodes onto 21st century London. Concerned about the potentially catastrophic effects of time travel, the NASA scientists responsible for the situation question whether it is right to rescue Peter. Kate decides to take matters into her own hands. But things don't go as planned, and soon the physical effects of time travel begin to have a disturbing effect on Kate. Meanwhile, in our century, The Tar Man wreaks havoc in a city whose police force are powerless to stop him…
"The Stage's Glory"
John Rich (1692-1761) was a profoundly influential figure of the eighteenth-century London stage. As producer, manager, and performer, he transformed the urban entertainment market, creating genres and promotional methods still with us today. This volume gives the first comprehensive overview of Rich’s multifaceted career, appreciation of which has suffered from his performing identity as Lun, London’s most celebrated Harlequin. Far from the lightweight buffoon that this stereotype has suggested, Rich—the first producer of The Beggar’s Opera, the founder of Covent Garden, the dauntless backer of Handel, and the promoter of the principal dancers from the Parisian opera—is revealed as an agent of changes much more enduring than those of his younger contemporary, David Garrick. Contributions by leading scholars from a range of disciplines—theatre, dance, music, art, and cultural history—provide detailed analyses of Rich’s productions and representations. These findings complement Robert D. Hume’s lead article, a study that radically alters our perception of Rich. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Princesses
'Remarkably intimate... Full and revealing... Princesses opens an invaluable new window into the often troubled private world of these royal women' LA Times 'Riveting and wonderfully detailed....Thanks to Flora Fraser's new book, George III's daughters can step out of the shadows of history and take their rightful places with the rest of the House of Hanover' Washington Times Drawing on their extraordinary private correspondence, acclaimed biographer Flora Fraser gives voice to the daughters of 'Mad' King George III. Six handsome, accomplished, extremely well-educated women: Princess Royal, the eldest, constantly at odds with her mother; home-loving, family-minded Augusta; plump Elizabeth, a gifted amateur artist; Mary the bland beauty of the family; Sophia, emotional and prone to take refuge in illness; and Amelia, 'the most turbulent and tempestuous of all the princesses.' In this sumptuous group portrait, Fraser takes us into the heart of the British Royal family during the tumultuous period of the American and French revolutions. Never before has the historical searchlight been turned with such sympathy and acuity on George III and his family.
Gardens of Court and Country
Gardens of Court and Country provides the first comprehensive overview of the development of the English formal garden from 1630 to 1730. Often overshadowed by the English landscape garden that became fashionable later in the 18th century, English formal gardens of the 17th century displayed important design innovations that reflected a broad rethinking of how gardens functioned within society. With insights into how the Protestant nobility planned and used their formal gardens, the domestication of the lawn, and the transformation of gardens into large rustic parks, David Jacques explores the ways forecourts, flower gardens, bowling greens, cascades, and more were created and reimagined over time. This handsome volume includes 300 illustrations - including plans, engravings, and paintings - that bring lost and forgotten gardens back to life.
The Time Thief
What happens when a seventeenth-century bad guy has twenty-first-century technology? An accident with an antigravity machine catapulted Peter Schock and Kate Dyer back to 1763. A bungled rescue attempt leaves Peter stranded in the eighteenth century while a terrifying villain, the Tar Man, takes his place and explodes onto twenty-first-century London. Concerned about the potentially catastrophic effects of time travel, the NASA scientists responsible for the situation question whether it is right to rescue Peter. Kate decides to take matters into her own hands, but things don't go as planned. Soon the physical effects of time travel begin to have a disturbing effect on her. Meanwhile, in our century, the Tar Man wreaks havoc in a city whose police force is powerless to stop him.Set against a backdrop of contemporary London and revolutionary France, The Time Thief is the sequel to the acclaimed The Time Travelers.
Chiswick House Gardens
The grounds at Chiswick House are amongst the most iconic of all the historic gardens of Europe. In the 1720s they reflected Lord Burlington’s innovative ideas on Palladianism and antique gardens, whilst the area transformed by William Kent to give a rustic appearance in the early 1730s has been recognised as one of, or perhaps the, birthplace of the landscape garden. The grounds were periodically brought to the forefront of taste, reaching another high point as the venue for spectacular garden parties under the 6th Duke of Devonshire. As a garden of many periods it has given rise to passionate national debates since World War II on the principles of restoration, and as a public park it ha...
The Magnificent Monarch
Anna Keay brings fresh insight into the daily life of Charles II and identifies how he cultivated a powerful reputation of both himself and monarchy in Britain.
Rubens: A Portrait
The most popular painter of his day, yet an artist whose reputation has fluctuated among art scholars and critics of the succeeding centuries, Peter Paul Rubens (1577-1640) is chiefly remembered today for his large canvases of sensual gardens, religious scenes, and voluptuous "Rubenesque" women. In Oppenheimer's account of his life, Rubens emerges not only as a talented painter but also as an intellectual with a unique conception of beauty that proved very influential and ahead of his time. Oppenheimer explores Rubens' ideas as he tells the story of his life, which included years as a diplomat, and illuminates his response to the humanism of the Renaissance in which he lived.
The Art of Worcester Porcelain, 1751-1788
Originally published in 2007 by the British Museum Press, London.
