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High school reunions can be murder... Meghan Donohue is no longer the fat girl she was in high school. Slimmed down and successful, she's made a name for herself as a bestselling mystery author. So why is the thought of seeing her girlhood crush again so daunting? Zach Dunbar is not the skinny computer geek of long ago. Well-muscled and prosperous, he owns a multi-million dollar software corporation. But will it be enough to interest the girl he dreamed about all through high school? Before they can make a connection, though, someone starts killing off members of the former "in" crowd, and Zach and Meghan must pool their expertise to help nail a murderer. As they unravel secret alliances and old grudges, their attraction develops into something much stronger. Can they stop the murders--and finally confess their love--before a killer destroys them all?
"I'm a murderer. I'm a murderer. I'm a murderer." Those three repeated words discovered in an old letter propel Meredith Lowe in a cross-country pursuit to unveil her mother's murky past. Danger stalks Meredith back to Hay City, Idaho as she peels apart the mystery: who is her father, and did her mother kill him? In finding the answer, will a growing love slip through her fingers? Past merges with the present as the story races to its stunning conclusion.
Black & White Paperback Edition.""'Spectral Hieroglyphics' is a timeless 'organic constellation' of poems on the unstoppable power of radical poetic vision...In this extraordinary troika of poems, Will Alexander not only shows the strong determination of three free minds to achieve a fully poetic way of life, he also demonstrates the actuality of their revolutionary visions...Alexander portrays these poets in the grandeur of their passionate ideas...Will Alexander revives these visions in a new myth for the future."" -Laurens Vancrevel, Foreword. Profusely illustrated by Rik Lina.
Megan Carlysle will do anything to climb the ladder in the world of high-powered insurance companies. Including taking an assignment no one else wants: investigating a suspicious death at a remote Kansas monastery. There she meets enigmatic religious scholar Conrad Hampton who, if his intuition is correct, may have uncovered something more sinister than an accidental death: satanic rituals. The surviving monks aren't talking and it's clear some will go to any lengths to keep secrets. Conrad and Megan must decide how far into harm's way they'll go to uncover the truth.
It's a sad day for librarian Nina Foster when she discovers her good friend, bookstore owner Wildeen Bergman, dead on her office floor. Worse yet, another friend, romance writer Zelma Duke, becomes the police's prime suspect. Nina knows Wildeen had something on Zelma. Was it enough to warrant murder? Handsome Stephen Kraslow, owner of the local newspaper, joins forces with Nina to find out the truth. The quest takes them on a dangerous journey of twists and turns before they reach the final outcome.
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This true crime history reveals the harrowing story of a black man brutally murdered by a lynch mob in 1932 Virginia. In 1932, a black man was found hanging on Rattlesnake Mountain in Fauquier County, Virginia. Though a mob set fire to his body, officials were able to identify him as Shedrick Thompson, who had been wanted for the abduction and rape of a local white woman. Some claimed Thompson killed himself, framing his gruesome death as the final act of a desperate fugitive. But residents knew better. Thompson had been the victim of a lynching—the last one known in Virginia. In The Last Lynching in Northern Virginia, author Jim Hall pieces together Thompson’s life, the weeks-long manhunt to find him, and his final hours. He also details the lawless practice of lynching in Fauquier County. This true crime chronicle takes an in-depth look at Thompson’s case to expose a complex and disturbing chapter in Virginia history.
During the Twenties, the Great White Way roared with nearly 300 book musicals. Luminaries who wrote for Broadway during this decade included Irving Berlin, George M. Cohan, Rudolf Friml, George Gershwin, Oscar Hammerstein II, Lorenz Hart, Jerome Kern, Cole Porter, Richard Rodgers, Sigmund Romberg, and Vincent Youmans, and the era’s stars included Eddie Cantor, Al Jolson, Ruby Keeler, and Marilyn Miller. Light-hearted Cinderella musicals dominated these years with such hits as Kern’s long-running Sally, along with romantic operettas that dealt with princes and princesses in disguise. Plots about bootleggers and Prohibition abounded, but there were also serious musicals, including Kern and...