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Signposts For Country Living
Signposts for Country Living is a step-by-step guide to finding your dream home, settling down, becoming part of the community and avoiding the pitfalls often experienced by the ‘in-comer.’ Preparing for the forthcoming transition and putting in that little bit of extra effort at the beginning could just make the transition from ‘townie’ much more successful and far less painful, rather than just blundering about and trusting to luck. Rejecting the temptation to simply list a patronizing catalogue of dos and don’ts, the authors instead adopt the ‘magazine approach’ of a style both informal and inclusive and draw on the experiences of a wide variety of people with both humor and anecdote.
Compass Points - The Pagan Writers' Guide
I want to be a pagan author and write for the pagan community…can you tell me how to get published? Writing for the pagan community is no different from writing for any other readership – but we need to learn the basic rules before deciding whether we have any talent worth pursuing. Regardless of our own personal levels of esoteric learning, we need to go back to the basics of creative writing and see what tricks of the trade we can utilise. We will see why editors and publishers are inundated with submissions of a certain kind – and what we can do to give our writing ‘editor appeal’. We will learn how to develop ideas via lateral thinking, and develop the art of ‘seeing’ through an editor’s eyes. ,
Compass Points - Horror Upon Horror
The horror novel has often been looked upon as the poor relation in the literary world, and yet some of our greatest writers have published novels under its banner. Horror writer (Whittlewood and The Wild Horseman) and former Gothic Society member, Suzanne Ruthven brings us a step-by-step guide to writing horror fiction. ,
How To Write for the How-To Market
All sorts of different people want to learn how to do different things getting a personal make-over, surviving health scares, business or career advice, self-help and improvement, travelling, living and working abroad, acquiring social skills, developing a hobby, creative writing the list is endless. And if anyone has ever asked for your advice, then you have a skill to write about. How-to writing can run from an article on how-to organise a successful car boot sale to a full-length, self-help book on exploring spirituality or coping with divorce. Your original idea will only be the tip of the iceberg. But by the time you ve completed the task you set yourself you will undoubtedly have become an expert on the subject, and this could lead to other things. WRITING FROM LIFE, Lynne Hackles ,
The Country Writer's Craft
Country Writer s Craft: Writing for country, regional and rural publications, covers one of the widest marketplaces for writers in the English-speaking world especially in the UK, Australia and the USA. Here we have examples of previously published materials, together with writers exercises to help build up an impressive portfolio from Suzanne Ruthven, who has written on country topics for over 30 years, as well as being author of A Treasury of the Countryside, Hearth & Garden, Life-Writes and Signposts For Country Living. ,
Life-Writes
The second most common question a writer is asked is, 'where do your ideas come from?' (The first is, 'Do you make any money from it?') Experienced writers don't go looking for ideas; ideas come to them. An experienced writer just has the knack of spotting what makes a good story or what will make a good story once it's been given the right spin, because none of us, if we're honest, will let reality get in the way of a saleable piece of work. Editors are looking for an element of action, drama or surprise, even in non-fiction. It's what catches their attention and makes them pause to read further; and the key to any editor's heart is originality. Not necessarily a new departure in style or genre, but a refreshing and original slant on a popular theme. Life-Writes helps you to find and develop ideas with editor appeal. ,
Traditional Witchcraft and the Pagan Revival
Traditional Witchcraft and the Pagan Revival takes us on a journey into the past, along the highways and byways of our pagan heritage to discover when the different aspects of magical influence entered traditional witchcraft. It will appeal to everyone with an interest in magic, witchcraft and paganism - from grass roots to the more advanced levels of Wicca - who wish to learn more about the different traditions and their antecedents. ,
The Coarse Witchcraft Trilogy
Coarse Witchcraft is a squint-eyed look at what passes for Craft in many modern groups and just how much of the teaching has been dumbed down so that everyone can acquire rank and have a “crack at the priesthood”. This blind grope for titles, rank and public acclaim have replaced the enlightened quest for genuine wisdom and ability, while the old Witch-magic is practised by fewer and fewer of those who would call themselves Witches. There are also those who insist on being recognised as instant Adepts in a system that takes years of study and preparation – but book-learning is not enough as many have found to their cost when confronted by real Old Crafters. Coarse Witchcraft is a no-holds-barred view of what is going on today in many Craft circles. Hopefully, those who read this book will laugh, and realise that it is possible to mix mirth and magic, while still retaining respect for oneself and the Old Ways. ,
Charnel House Blues
A view of the vampire through folklore, history, literature and film.
Compass Points
Poor dialogue is one of the main reasons for a publisher’s reader glazing over when reading a first-time novel, where the author has seen fit to include every superfluous utterance of every-day speech. The purpose of dialogue is to move the story along and to give added dimension to the characters through what they say, and often think. Creating Meaningful Dialogue helps to get rid of the dross from your typescript and retain the gold in the story. Try to incorporate the exercises given at the end of each chapter into your own writing where appropriate and see how it improves the flow of the dialogue by making the characters come alive. With added input from publishers and publisher’s readers, this book is invaluable for all would-be novelists and fiction writers.
