You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
These essays challenge what many scholars perceived to be an opposition of "East" and "West" in Polo's writings.
This volume offers a literary and cultural history of the idea of crusading over the last millennium.
Monstrous Fantasies asks why medieval romances reimagining the crusades ending in a Christian victory circulated in England with such abundance after the 1291 Muslim reconquest of Acre, the last of the Latin crusader states in the Holy Land, and what these texts reveal about the cultural anxieties of late medieval England. Leila K. Norako highlights the impact that the Ottoman victory and subsequent massacre of Christian prisoners at the battle of Nicopolis in 1396 had on intensifying the popularity of what she calls recovery romance. These two episodes inspired a sense of urgency over the fate of the Holy Land and of Latin Christendom itself, resulting in the proliferation of romances in wh...
Interdisciplinary approaches to the material culture of the middle ages, from illuminated manuscripts to church architecture.
This book is an investigative study of Christian and Islamic relations in the kingdom of Sicily during the eleventh and twelfth centuries. It has three objectives. First, it establishes how and why the Norman rulers of Sicily, all of whom were Christians, incorporated Muslim soldiers, farmers, scholars, and bureaucrats into the formation of their own royal identities and came to depend on their Muslim subjects to project and enforce their political power. Second, it examines how the Islamic influence within the Sicilian court drew little scrutiny, and even less criticism, from intellectuals in the wider world of Latin Christendom during the time period. Finally, it contextualizes and explains the eventual emergence of Christian popular violence against Muslims in Sicily in the latter half of the twelfth century and the evolution of a wider discourse of anti-Islamic sentiment throughout Western Europe.
M. Lindsay Kaplan expands the study of the history of racism through an analysis of the medieval Christian concept of Jewish servitude. Developed through exegetical readings of Biblical figures in canon law, this discourse produces a racial status of hereditary inferiority that justifies the subordination not only of Jews, but of Muslims and Africans as well.
The first study to demonstrate how English literature continued to engage with crusading from medieval romances right through to Shakespeare.
Within the English fall of Jerusalem tradition, nearly all scholarly attention has gone to Siege of Jerusalem, which has enjoyed critical and pedagogical attention of late. Michael Livingston's 2004 edition with the Middle English Texts Series/MIP drew attention to the text, and Adrienne Williams Boyarin has recently published a new translation with Broadview Press that appears in the Broadview Anthology of British Literature's medieval volume (and as a stand-alone volume). With this edition of the Destruction of Jerusalem, we hope to bring the poem (which is extant in more copies than Siege) into the conversation. METS/MIP is precisely the right series and press to publish Destruction. The ...
This book explores several fascinating medieval Christian and Islamic artworks that represent and reimagine Jerusalem’s architecture as religious and political instruments to express power, entice visitors, console the devoted, offer spiritual guidance, and convey the city’s mythical history.
This book explores the notion that the emergent language of contemporary theatre, and more generally of modern culture, has links to much earlier forms of storytelling and an ancient worldview. This volume looks at our diverse and amalgamative theatrical inheritance and discusses various practitioners and companies whose work reflects and recapitulates ideas, approaches, and structures original to theatre’s ritual roots. Drawing together a range of topics and examples from the early Middle Ages to the modern day, Chadwick focuses in on a theatrical language which includes an emphasis on the psychosomatic, the non-linear, the symbolic, the liminal, the collective, and the sacred. This interdisciplinary work draws on approaches from the fields of anthropology, philosophy, historical and cognitive phenomenology, and neuroscience, making the case for the significance of historically responsive modes in theatre practice and more widely in our society and culture. Eleanor