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Prime Time Network Serials
On September 15, 1964, ABC launched a programming experiment--a prime time series similar to the daytime soap operas that were so successful. Peyton Place became a fixture on the network's schedule for the next five years. The success of Dallas in the early 1980s made the prime time soap opera a staple of television programming. From Bare Essence through The Yellow Rose, this reference work details the successes and failures of 37 prime time serials through 1993. For each show, a lengthy history covers the character development and provides production details, and season-by-season data provide start and end of the season, time slot, comprehensive cast and credits, and an episode guide.
The Cape Librarian
Issues for Nov. 1957- include section: Accessions. Aanwinste, Sept. 1957-
Hitler and his Women
This unique biography examines Hitler’s many female relationships, from his mother and sisters to his girlfriends, secretaries, and adoring public. To most of the world, Adolf Hitler was a ranting, evil demagogue whose insane ambitions caused incalculable harm to humanity. But to the women in his life, he was kind, compassionate, and loving—a man to be admired and adored. In Hitler and His Women, historian Phil Carradice explores the Fuhrer’s many relationships with women, from his romantic involvements to his interactions with female staff and the thousands of women who flocked to hear him speak. While many are familiar with Eva Braun, she was not alone in her role as the Fuhrer’s lover. Dozens of women preceded her, including Mitzi Reiter, Henny Hoffmann, and his own niece Geli Raubal. To them and many others, Hitler was the ultimate romantic. From deep familial bonds to a teenage infatuation with a girl he never met, from actresses like Zara Leander to English aristocrat Unity Mitford, Carradice examines how Hitlers relationships with women affected the course of history.
The Beribboned Bomb
Surrealism was ostensibly directed at the emancipation of the human spirit, but it represented only male aspirations and fantasies until a number of women artists began to redefine its agenda in the later 1930s. This book addresses the former, using a 'thick description' of the historically specific circumstances which required the male Surrealists to manufacture a sexual reputation of narcissism and misogyny. These circumstances were determined by 'hegemonic masculinity', an ideological construct which had little to do with individual masculinities. In male Surrealism, the 'beribboned bomb' signified something both attractive and volatile, a specific instance of the Surrealist principle of convulsive beauty. In hegemonic masculinity, similar devices served as metaphors of the sexuality all men were supposed to possess. The intersection of these two axes produced an imagery of unrepentant violence.
Dead or Alive!
The image is an ontological paradox; it is made of dead matter, yet appears to be alive. For millennia, artists have created images of the living world - images that are static and yet possess the power to bring to life a frozen moment in time. While this tension has constituted a fundamental challenge for as long as theories on the nature of images have existed, recent scholarship has rekindled interest in the question of what images 'do to us'. Despite the rational discourse of Modernity, we must acknowledge that we view images as half-living entities. This book addresses the perpetual relevance of images' enigmatic life-likeness through studies that engage with a variety of visual materia...
Social Imaginaries, Vol. 1, issue 1 (Spring 2015)
Nu s-au introdus date
