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Play: Shell Connections
'To encourage our most exciting, innovative contemporary playwrights to focus their energies on writing plays specifically for performance by this younger age group is inspired. The National Theatre's Shell Connections series, like all the best ideas, is simple yet far reaching and very important for the future of the theatre.' Sir Alan AyckbournShell Connections 2003 premières ten new plays, specially commissioned by the National Theatre, by some of the best writers around.With a wide range of cast sizes and settings - including the dark side of the moon, a multiplex cinema, the tarot universe, Roman London, and the eve of the Queen's Golden Jubilee - there's plenty of comedy, quests for c...
Contemporary British Drama
This book provides a critical assessment of dramatic literature since 1995, situating texts, companies and writers in a cultural, political and social context. It examines the shifting role of the playwright, the dominant genres and emerging styles of the past decade and how they are related.Beginning with an examination of how dramatic literature and the writer are placed in the contemporary theatre, the book then provides detailed analyses of the texts, companies and writing processes involved in six different professional contexts: new writing, verbatim theatre, writing and devising, Black and Asian theatre, writing for young people and adaptation and transposition. The chapters cover contemporary practitioners, including Simon Stephens, Gregory Burke, Robin Soans, Alecky Blythe, Kneehigh Theatre, Punchdrunk, Kwame Kwei-Armah, Edward Bond, Filter Theatre and Headlong, and offers detailed case-studies and examples of their work.
Modern British Playwriting: The 1980s
Modern British Playwriting: The 1980s equips readers with a fresh assessment of the theatre and principle playwrights and plays from a decade when political and economic forces were changing society dramatically. It offers a broad survey of the context and of the playwrights and companies such as Complicité and DV8 that rose to prominence at this time. Alongside this it provides a detailed examination based on fresh research of four of the most significant playwrights of the era and considers the influence they had on later work. The 1980s volume features a detailed study by four scholars of the work of four of the major playwrights who came to prominence: Howard Barker (by Sarah Goldingay)...
To Be a Playwright
First Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
After Juliet
A tense truce holds between the Capulets and the Montagues after the deaths of Romeo and Juliet. Benvolio, Romeo's best friend, is in love with Rosaline, Juliet's cousin, but Rosaline is bent on revenge. This play is written for a cast of 12, plus musicians and extras.
Brokenville
Brokenville is written for a cast of 7. A group of survivors gather round a sleeping child to piece together its story and theirs. The Pilgrimage is for a cast of 13, plus chorus. It concerns two warring tribes, the shepherds and the goatherds.
Christina Reid's Theatre of Memory and Identity
This book is a study of the plays, performances and writings of Christina Reid. It explores Reid’s work through her own words, both in interviews and writings; through theoretical engagements in other disciplines, such as psychology and geography; and through responses to her plays in production. It is a compilation of sorts, gathering together interviews, critical material, unpublished works and theatrical reviews to reflect the breadth and depth of Reid’s contribution to the theatrical culture of Northern Ireland, during the Troubles and beyond.
The History of British Women's Writing, 1970-Present
This book maps the most active and vibrant period in the history of British women's writing. Examining changes and continuities in fiction, poetry, drama, and journalism, as well as women's engagement with a range of literary and popular genres, the essays in this volume highlight the range and diversity of women's writing since 1970.
Plays for Young People
A collection of three plays for young actors written by Mark Ravenhill: Citizenship, Scenes from a Family Life and Totally Over You, and including an introduction by the author. Originally commissioned as part of the National Theatre Connections programme, these three plays were specifically written for teenagers and are ideal for young performers aged 13-25 years old. Written with greater warmth and humanity than you might expect from the author of such controversial works as Shopping and F***ing, Ravenhill's plays for teenagers are compassionate, intelligent and not at all patronising. With themes of particular interest to teenagers, the plays explore the search for identity during the tra...
Williams Plays: 4
'[Williams's] plays have brought the experience of black urban youth onto the stage' Observer Sucker Punch: 'As usual with Williams, the dialogue is crisp and bespoke: motives are mixed, nobody is a hero, nothing is just black and white.' The Times Joe Guy: 'Williams's dialogue ricochets around the stage like gunfire . . . energetic, exciting and entertaining.' Stage Category B: 'Category B is a harrowing play, but one shot through with both dark humour and tentative flickers of hope'. Daily Telegraph Baby Girl: 'The shocking thing about Roy Williams's Baby Girl is that it argues that there is a cyclical pattern to teenage pregnancy . . . Williams paints a rivetingly plausible picture of a world in which mothers and daughters are sexual rivals, 'virgin' is the ultimate peer insult and the school gates are a fertile hunting ground for male predators.' Guardian There's Only One Wayne Matthews: 'Williams's writing is punchy . . . Wayne's gradual understanding of the realities of the world make this a touching coming-of-age drama.' Guardian
