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Muller's Lab
Many structures in the human body are named after Johannes Muller, one of the most respected anatomists and physiologists of the 19th century. Muller taught many of the leading scientists of his age, many of whom would go on to make trail-blazing discoveries of their own. Among them were Theodor Schwann, who demonstrated that all animals are made of cells; Hermann Helmholtz, who measured the velocity of nerve impulses; and Rudolf Virchow, who convinced doctors to think of disease at the cellular level. This book tells Muller's story by interweaving it with those of seven of his most famous students.Muller suffered from depression and insomnia at the same time as he was doing his most importa...
Civic Astronomy
The founding of the Dudley Observatory at Albany, N.Y., in 1852 was a milestone in humanity's age-old quest to understand the heavens. As the best equipped astronomical observatory in the U.S. led by the first American to hold a Ph.D. in astronomy, Benjamin Apthorp Gould Jr., the observatory helped pioneer world-class astronomy in America. It also proclaimed Albany's status as a major national center of culture, knowledge and affluence. This book explores the story of the Dudley Observatory as a 150 year long episode in civic astronomy. The story ranges from a bitter civic controversy to a venture into space, from the banks of the Hudson River to the highlands of Argentina. It is a unique glimpse at a path not taken, a way of doing science once promising, now vanished. As discoveries by the Dudley Observatory's astronomers, especially its second director Lewis Boss, made significant contributions to the modern vision of our Milky Way galaxy as a rotating spiral of more than a million stars, the advance of astronomy left that little observatory behind.
Hybrid Nature
A history of of the industrial ecosystem that focuses on the biological sewage treatment plant as an early example. Biological sewage treatment, like electricity, power generation, telephones, and mass transit, has been a key technology and a major part of the urban infrastructure since the late nineteenth century. But sewage treatment plants are not only a ubiquitous component of the modern city, they are also ecosystems--a hybrid variety that incorporates elements of both nature and industry and embodies multiple contradictions. In Hybrid Nature, Daniel Schneider offers an environmental history of the biological sewage treatment plant in the United States and England, viewing it as an earl...
Scientific and Medical Knowledge Production, 1796-1918
This volume is divided according to moral themes within medicine and science. The sources represent dominant notes within the culture of knowledge production that capture the moral/emotional/social justification for the making of expertise through experiment. This volume focuses on curiosity, given as the scientist’s chief motivating factor for the finding of new facts, and as an essential character trait for anyone entering the scientific life. It is also the source of controversy and criticism, since curiosity alone increasingly looked amoral at best and immoral at worst, as the nineteenth century wore on.
LabOratory
An illustrated examination of laboratory architecture and the work that it does to engage the public, recruit scientists, and attract funding. The laboratory building is as significant to the twenty-first century as the cathedral was to the thirteenth and fourteenth centuries. The contemporary science laboratory is built at the grand scales of cathedrals and constitutes as significant an architectural statement. The laboratory is a serious investment in architectural expression in an attempt to persuade us of the value of the science that goes on inside. In this lavishly illustrated book, Sandra Kaji-O'Grady and Chris L. Smith explore the architecture of modern life science laboratories, and...
Instruments in Art and Science
Dieser Band versammelt originäre Beiträge am Schnittpunkt von Philosophie, Wissenschaftsgeschichte, Kultur- und Theaterwissenschaft. Auf der Grundlage von Falluntersuchungen zum 17. Jahrhundert trägt er zum Verständnis der Rolle bei, die Instrumente im Schnittfeld von Wissenschaft und Kunst spielen. Die Beiträge verfolgen dabei die Hypothese, dass die Entwicklung und Gestaltung von Instrumenten wesentlich zur Eröffnung neuer Felder des Wissens, zur Entstehung neuer kultureller Praktiken, aber auch zur Abgrenzung bestimmter Genres, Methoden und Disziplinen beiträgt. Diese Perspektive führt die Beiträge dieses Bandes dazu, auf neue Weise das, was ein Instrument überhaupt ausmacht, zu...
Science, Technology and Medicine in the Making of Lisbon (1840–1940)
This volumes presents the first urban history of science, technology, and medicine in Lisbon, 1840-1940. It reveals how science, technology and medicine permeated even the most unlikely aspects of the urban landscape in an environment that was simultaneously a port city, scientific capital and imperial metropolis.
Collection - Laboratory - Theater
This volume launches a new, eight-volume series entitled Theatrum Scientiarum on the history of science and the media which has arisen from the work of the Berlin special research project on "Performative Cultures" under the aegis of the Theatre Studies Department of the Free University. The volume examines the role of space in the constitution of knowledge in the early modern age. "Kunstkammern" (art and curiosities cabinets), laboratories and stages arose in the 17th century as instruments of research and representation. There is, however, still a lack of precise descriptions of the epistemic contribution made by material and immaterial space in the performance of knowledge. Therefore, the...
Reimagining Psychiatric Epidemiology in a Global Frame
Examines psychiatric epidemiology's unique evolution, conceptually and socially, within and between diverse regions and cultures, underscoring its growing influence on the biopolitics of nations and worldwide health campaigns.
Helmholtz and the Modern Listener
The musical writings of scientist Hermann von Helmholtz (1821–94) have long been considered epoch-making in the histories of both science and aesthetics. Widely regarded as having promised an authoritative scientific foundation for harmonic practice, Helmholtz can also be read as posing a series of persistent challenges to our understanding of the musical listener. Helmholtz was at the forefront of sweeping changes in discourse about human perception. His interrogation of the physiology of hearing threw notions of the self-possessed listener into doubt and conjured a sense of vulnerability to mechanistic forces and fragmentary experience. Yet this new image of the listener was simultaneously caught up in wider projects of discipline, education and liberal reform. Reading Helmholtz in conjunction with a range of his intellectual sources and heirs, from Goethe to Max Weber to George Bernard Shaw, Steege explores the significance of Helmholtz's listener as an emblem of a broader cultural modernity.
