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Picture this
A survey of the fine illustration work that was done in Britain in the 20th century, focusing particularly on the work of staff and students of Central Saint Martins. It looks at not only book illustration for both adults and children but also fashion illustration, comics and cartoons, and commercial illustrations such as the 1930s classic posters for London Transport and Shell.
Between Art Practice and Psychoanalysis Mid-Twentieth Century
The work of mid-twentieth century art theorist Anton Ehrenzweig is explored in this original and timely study. An analysis of the dynamic and invigorating intellectual influences, institutional framework and legacy of his work, Between Art Practice and Psychoanalysis reveals the context within which Ehrenzweig worked, how that influenced him and those artists with whom he worked closely. Beth Williamson looks to the writing of Melanie Klein, Marion Milner, Adrian Stokes and others to elaborate Ehrenzweig?s theory of art, a theory that extends beyond the visual arts to music. In this first full-length study on his work, including an inventory of his library, previously unexamined archival mat...
Lovers and Husbands and What-Not
Who is this woman? She was born in Leeds, U.K., died in Kaitaia, New Zealand, and appears in both the Dictionary of New Zealand Biography and the Bibliography of Australian Literature... She was raised a Quaker, converted to and campaigned for Islam, had a life-long interest in spiritualism and died a devout Catholic... She made a foundational contribution to socialist feminist journalism in The Maoriland Worker using the principles of Christian socialism and Leninist-Marxism... She was an associate of Pat Lawlor and Robin Hyde, helped lead the New Zealand Movement against War and Fascism before World War Two and then made a significant contribution to the American War Effort in the US durin...
Object Lessons
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Architecture, Town Planning and Community
Cecil Burgess was professor of architecture and resident architect at the University of Alberta between 1913 and 1940. This title collects Burgess' public talks and writings offering a fresh insight into the social and intellectual dimensions of architecture and town planning during the first half of the twentieth century.
Planting Letters and Weaving Lines
The illuminations of The Saint John’s Bible have delighted many with their imaginative takes on Scripture. But many struggle to appreciate the calligraphy more deeply than merely noting its beauty. Does calligraphy mean something? How is it beautiful? This book, written by a biblical scholar who has spent years working with this Bible, shows how calligraphic art powerfully interplays visual form, textual content, and creative process. Homrighausen proposes five lenses for this artform: gardens, weaving, pilgrimage, touching, and enfleshing words. Each of these lenses springs from the poetry of the Song of Songs, its illuminations in The Saint John’s Bible, and medieval ways of understanding the scribe’s craft. While these metaphors for calligraphic art draw from this particular illuminated Bible, this book is aimed at all lovers of calligraphy, art, and sacred text.
New Typographic Design
A visual guide to the best in contemporary typographic design, this book features examples and usages of modern typography from around the world.
Women, Literature, and the Arts of the Countryside in Early Twentieth-Century England
This book examines the centrality of the countryside to women's work, creativity, and aspirations in early-twentieth-century England.
The Oxford Handbook of Victorian Medievalism
Victorian medievalism physically transformed the streets of Britain It lay at the root of new laws and social policies It changed religious practices It deeply coloured national identities And it inspired art literature and music that remains influential to this day Sometimes driven by nostalgia but also often progressive and futurefacing this widereaching movement which reached its peak during the reign of Queen Victoria looked back to a range of different peoples and historical periods spanning a thousand years in order to inspire and vindicate cultural political and social change Medievalism was pervasive in Victorian literature with texts ranging from translated sagas to pseudomedieval d...
Applied Arts in British Exile from 1933
Yearbook Volume 19 continues an investigation which began with Arts in Exile in Britain 1933-45 (Volume 6, 2004). Twelve chapters, ten in English and two in German, address and analyse the significant contribution of émigrés across the applied arts, embracing mainstream practices such as photography, architecture, advertising, graphics, printing, textiles and illustration, alongside less well known fields of animation, typography and puppetry. New research adds to narratives surrounding familiar émigré names such as Oskar Kokoschka and Wolf Suschitzky, while revealing previously hidden contributions from lesser known practitioners. Overall, the volume provides a valuable addition to the understanding of the applied arts in Britain from the 1930s onwards, particularly highlighting difficulties faced by refugees attempting to continue fractured careers in a new homeland. Contributors are: Rachel Dickson, Burcu Dogramaci, Deirdre Fernand, Fran Lloyd, David Low, John March, Sarah MacDougall, Anna Nyburg, Pauline Paucker, Ines Schlenker, Wilfried Weinke, and Julia Winckler.
