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From Song to Book
As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illuminated manuscript has a theatrical, performative quality. She perceives the tension between implied oral performance and real visual artifact as a fundamental aspect of thirteenth- and fourteenth-century poetics. In this generously illustrated volume, Huot examines manuscript texts both from the performance-oriented lyric tradition of chanson courtoise, or courtly love lyric, and from the self-consciously literary tradition of Old French narrative poetry. She demonstrates that the evolution of the lyrical romance and dit, narrative poems which incorporate thematic and rhetorical elements of th...
Outsiders
Giants are a ubiquitous feature of medieval romance. As remnants of a British prehistory prior to the civilization established, according to the Historium regum Britannie, by Brutus and his Trojan followers, giants are permanently at odds with the chivalric culture of the romance world. Whether they are portrayed as brute savages or as tyrannical pagan lords, giants serve as a limit against which the chivalric hero can measure himself. In Outsiders: The Humanity and Inhumanity of Giants in Medieval French Prose Romance, Sylvia Huot argues that the presence of giants allows for fantasies of ethnic and cultural conflict and conquest, and for the presentation—and suppression—of alternative ...
Madness in Medieval French Literature
Written by one of the leading critics in medieval studies, this new book explores the representations of madness in medieval French literature. Drawing on a range of modern psychoanalytic theories and an impressive range of texts from the twelfth to the fifteenth century, Sylvia Huot focuses on the relationship between madness and identity, both personal and collective, and demonstrates the cultural significance of madness in the Middle Ages.
Madness in Medieval French Literature
Madness is a frequent theme in medieval French literature. This title presents a variety of texts which illustrate the wide range of attitudes towards madness and its uses as a literary device, tying in with contemporary interest in the politics of identity, and its literary constructions
Allegorical Play in the Old French Motet
This book focuses on the literary artistry of the texts of Old French and bilingual motets, notably the special feature of motets that distinguished them from other medieval lyric forms: the phenomenon of polytextuality.
The Cambridge Companion to Medieval French Literature
Medieval French literature encompasses 450 years of literary output in Old and Middle French, mostly produced in Northern France and England. These texts, including courtly lyrics, prose and verse romances, dits amoureux and plays, proved hugely influential for other European literary traditions in the medieval period and beyond. This Companion offers a wide-ranging and stimulating guide to literature composed in medieval French from its beginnings in the ninth century until the Renaissance. The essays are grounded in detailed analysis of canonical texts and authors such as the Chanson de Roland, the Roman de la Rose, Villon's Testament, Chrétien de Troyes, Machaut, Christine de Pisan and the Tristan romances. Featuring a chronology and suggestions for further reading, this is the ideal companion for students and scholars in other fields wishing to discover the riches of the French medieval tradition.
Poetry, Knowledge and Community in Late Medieval France
The role of poetry in the transmission and shaping of knowledge in late medieval France.
Rethinking the "Romance of the Rose"
The Romance of the Rose has been a controversial text since it was written in the thirteenth century. There is evidence for radically different readings as as early as the first half of the fourteenth century. The text provided inspiration for both courtly and didactic poets. Some read it as a celebration of human love; others as an erudite philosophical work; still others as a satirical representation of social and sexual follies. On one hand it was praised as an edifying treatise, on the other condemned as lascivious and misogynistic. Kevin Brownlee and Sylvia Huot and the contributors to this volume—Pierre-Yves Badel, Emmanuele Baumgartner, John V. Fleming, Robert Pogue Harrison, David F. Hult, Stephen G. Nichols, Lee Patterson, Daniel Poirion, Karl D. Uitti, Dieuwke E. van der Poel, and Lori Walters—represent all the major areas of current work on the Romance of the Rose, both in American and in Europe. The volume will be of value to students and scholars of medieval literature, intellectual history, and art history.
The Romance of the Rose and its Medieval Readers
The Romance of the Rose was one of the most important works of medieval vernacular literature. It was composed in the thirteenth century and exerted a profound influence on literature in France, England, the Netherlands and Italy for the next 200 years. In this book, Sylvia Huot investigates how medieval readers understood the text, assessing the evidence to be found in well over 200 surviving manuscripts: annotations, glosses, illuminations, marginal doodles, rewritings, expansions and abridgements. This allows a picture to emerge of the interests and concerns of its readers, including such important fourteenth-century figures as the monastic author Guillaume de Deguilleville and the court poet Guillaume de Machaut. The book contains analyses of individual versions of the poem. It offers an interesting perspective on the interpretative difficulties of this learned and complex poem.
Postcolonial Approaches to the European Middle Ages
A collection of original essays exploring the intersections between medieval and postcolonial studies.
