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Biology and Manners
An essay collection that significantly expands previous scholarly writing on award-winning science fiction and fantasy author Lois McMaster Bujold, arguing for the significant contributions her works make to feminist and queer thought, disability studies and fan studies.
Amberlight
Kelso (Everrans Bane ) paints a hypnotic but prose-drowned portrait of a complex matriarchal society powered by qherrique, a semisentient stone that can control minds and power machinery. When a male Outlander is found on the streets of Amberlight, robbed, raped and left for dead by a girl gang, the qherrique informs Tellurith, the powerful head of Telluir House, that he must be kept alive.
The Self Wired
First Published in 2002. Advanced technologies challenge conventional understandings of the human subject by transforming the body into a conduit between external forces and the internal psyche. This title discusses the intense controversy about how to best understand and represent human subjectivity in a technology-intensive era. Yaszek provides an overview by linking specific modes of identity and agency to engagement with specific manifestations of technology itself.
Magic Words, Magic Worlds
While all fiction uses words to construct models of the world for readers, nowhere is this more obvious than in fantasy fiction. Epic fantasy novels create elaborate secondary worlds entirely out of language, yet the writing style used to construct those worlds has rarely been studied in depth. This book builds the foundations for a study of style in epic fantasy. Close readings of selected novels by such writers as Steven Erikson, Ursula Le Guin, N. K. Jemisin and Brandon Sanderson offer insights into the significant implications of fantasy's use of syntax, perspective, paratexts, frame narratives and more. Re-examining critical assumptions about the reading experience of epic fantasy, this work explores the genre's reputation for flowery, archaic language and its ability to create a sense of wonder. Ultimately, it argues that epic fantasy shapes the way people think, examining how literary representation and style influence perception.
Riversend
None
Aggressive Fictions
A frequent complaint against contemporary American fiction is that too often it puts off readers in ways they find difficult to fathom. Books such as Bret Easton Ellis's American Psycho, Katherine Dunn's Geek Love, and Don DeLillo's Underworld seem determined to upset, disgust, or annoy their readers—or to disorient them by shunning traditional plot patterns and character development. Kathryn Hume calls such works "aggressive fiction." Why would authors risk alienating their readers—and why should readers persevere? Looking beyond the theory-based justifications that critics often provide for such fiction, Hume offers a commonsense guide for the average reader who wants to better underst...
New Ceres Nights
New Ceres, a planet in the outer colonies, embraced the Age of Enlightenment nearly two hundred years ago and refused to let go. Refugees and opportunists come to New Ceres in search of new lives, escaping the conflicts of the interstellar war that has already destroyed Earth. New Ceres Nights presents thirteen exciting stories of rebellion, debauchery, decadence, subterfuge and murder set against the backdrop of powdered wigs, coffee houses, duels and balls that is the shared world of New Ceres. . .Table of ContentsDebutante — Dirk FlinthartThe Widow’s Seven Candles — Thoraiya DyerCode Duello — J C HayMurder in Laochan — Aliette de BodardTontine Mary — Kaaron WarrenFair Trade â€...
Villains, Victims, and Violets
Modern writers have reconsidered every subject under the sun through the lens of Sherlock Holmes. The overlooked subject is agency: the opportunities available to these women for independence and control. What we find all too often are the silences around them. And yet, these clients--villains, victims, and Violets--are pivotal in the world of Sherlock Holmes. Perhaps more enigmatic than Holmes’ methods is what Watson sees: the woman in the shadows. Whether lady or lady’s maid, if she does speak, it’s often not recorded in her words. That was life for half the population of Victorian England. A woman’s role was written before she was born; it merely required her to don the starched w...
