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Toward a Poetic Theory of Narration
The volume consists of six essays by S.-Y. Kuroda on narrative theory, with a substantial introduction, notes, a bibliography and an index of proper names. This is the English version of a French critical edition published by Editions Armand Colin in their "Recherches" series in October 2012, translated from English by Cassian Braconnier, Tiên Fauconnier and Sylvie Patron, edition with an introduction and notes by Sylvie Patron.
Optional-Narrator Theory
Twentieth-century narratology fostered the assumption, which distinguishes narratology from previous narrative theories, that all narratives have a narrator. Since the first formulations of this assumption, however, voices have come forward to denounce oversimplifications and dangerous confusions of issues. Optional-Narrator Theory is the first collection of essays to focus exclusively on the narrator from the perspective of optional-narrator theories. Sylvie Patron is a prominent advocate of optional-narrator theories, and her collection boasts essays by many prominent scholars--including Jonathan Culler and John Brenkman--and covers a breadth of genres, from biblical narrative to poetry to...
The Narrator
The narrator (the answer to the question “who speaks in the text?”) is a commonly used notion in teaching literature and in literary criticism, even though it is the object of an ongoing debate in narrative theory. Do all fictional narratives have a narrator, or only some of them? Can narratives thus be “narratorless”? This question divides communicational theories (based on the communication between real or fictional narrator and narratee) and noncommunicational or poetic theories (which aim to rehabilitate the function of the author as the creator of the fictional narrative). Clarifying the notion of the narrator requires a historical and epistemological approach focused on the opp...
Phantom Sentences
Ann Banfield - professor in the Department of English at the University of California, Berkeley - is best known for her groundbreaking contributions to narrative theory. Working within the paradigm of generative linguistics, she argued that the language of fiction is characterized by two «unspeakable sentences», i.e., sentences that do not properly occur in the spoken language: the sentence of «pure narration» and the sentence of «represented speech and thought» (style indirect libre or erlebte Rede). More recently, Banfield offered a major reconsideration of the novels of Virginia Woolf and modernism in light of the philosophy of knowledge developed by G. E. Moore and Bertrand Russell, and appropriated by Roger Fry in his critical analyses of impressionism and post-impressionism. The essays gathered here pay tribute to Banfield by addressing those disciplines and topics most closely related to her work, including: narrative theory and pragmatics, the philosophy of language and knowledge, generative syntax, meter and phonology, and modernism.
Life and Narrative
The challenge of life and literary narrative is the central and perennial mystery of how people encounter, manage, and inhabit a self and a world of their own - and others' - creations. With a nod to the eminent scholar and psychologist Jerome Bruner, Life and Narrative: The Risks and Responsibilities of Storying Experience explores the circulation of meaning between experience and the recounting of that experience to others. A variety of arguments center around the kind of relationship life and narrative share with one another. In this volume, rather than choosing to argue that this relationship is either continuous or discontinuous, editors Brian Schiff, A. Elizabeth McKim, and Sylvie Patr...
Describing the Unobserved and Other Essays
The seven essays gathered in this volume are all concerned, more or less directly, with the “unspeakable sentences” of fictional narration, that is, the sentences that do not bear any explicit mark nor any implicit indication of a first person and which are not interpretable as the expression of a speaker’s subjectivity. Chief among them are the sentences of free indirect style, which this book prefers to call sentences of “represented speech and thought.” All of these essays were written after the publication of Unspeakable Sentences: Narration and Representation in the Language of Fiction (1982). They take up its theoretical frameworks and extend its analyses into other contexts, where they acquire other uses, other functions, and other values. Taken as a whole, this work bears witness to the richness and vitality of the encounter between linguistics, philosophy, and the theory and analysis of narrative and the novel.
Small Stories Research
This collection showcases the diversity and disciplinary breadth of small stories research, highlighting the growing critical mass of scholarship on small stories and its reach beyond discourse and sociolinguistic perspectives. The volume both takes stock of and seeks to advance the development of small stories research by Alexandra Georgakopoulou and Michael Bamberg, as a counterpoint to conventional models in narrative studies, one which has accounted for "atypical" yet salient activities in everyday life, such as fragmentation and open-endedness, anchoring onto the present, and co-constructive dimensions in stories and identities. With data from different languages and contexts, emphasis ...
Théorie, Analyse, Interprétation Des Récits- Theory, Analysis, Interpretation of Narratives
Cet ouvrage constitue les actes du colloque international « Théorie, analyse, interprétation des récits/Theory, analysis, interpretation of narratives », qui s'est tenu à l'Université Paris Diderot-Paris 7 les 12 et 13 décembre 2008. Ce colloque, qui réunissait des chercheurs venus d'horizons très variés, s'était donné pour but d'examiner trois problèmes précis : D'abord, le problème des rapports entre la théorie et l'analyse du récit (quel rôle doit jouer la théorie dans l'analyse du récit ? quel peut être l'effet en retour de l'analyse sur la théorie du récit ?) ; ensuite le problème des rapports entre l'analyse et la lecture « courante » du récit (le but de l'a...
Current Trends in Narratology
Current Trends in Narratology offers an overview of cutting-edge approaches to theories of storytelling. The introduction details how new emphases on cognitive processing, non-prose and multimedia narratives, and interdisciplinary approaches to narratology have altered how narration, narrative, and narrativity are understood. The volume also introduces a third post-classical direction of research ‐ comparative narratology ‐ and describes how developments in Germany, Israel, and France may be compared with Anglophone research. Leading international scholars including Monika Fludernik, Richard Gerrig, Ansgar Nünning, John Pier, Brian Richardson, Alan Palmer, and Werner Wolf describe not only their newest research but also how this work dovetails with larger narratological developments.
The Archaeology of Foucault
On 20 May 1961 Foucault defended his two doctoral theses; on 2 December 1970 he gave his inaugural lecture at the Collège de France. Between these dates, he published four books, travelled widely, and wrote extensively on literature, the visual arts, linguistics, and philosophy. He taught both psychology and philosophy, beginning his explorations of the question of sexuality. Weaving together analyses of published and unpublished material, this is a comprehensive study of this crucial period. As well as Foucault's major texts, it discusses his travels to Brazil, Japan, and the USA, his time in Tunisia, and his editorial work for Critique and the complete works of Nietzsche and Bataille. It ...
