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The Fabric of Life
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Needle Lace Flowers
Oya, or Turkish needle lace, has been practiced in Turkey for hundreds of years. This delicate technique is perfect for creating flowers--lilies, daisies, crocuses, and more. Find all the information you need to get started making Turkish needle lace, as well as patterns more than 25 different flowers and a project to use each flower in. A perfect introduction to this ancient and beautiful craft.
Turkmen and Afshar Knittings Laces Of Kadirli
Bu çalışma, Anadolu’da yüzyıllardır yapılan ve kullanılan bir örgü geleneğimiz olan oya ile ilgilidir. Bu çalışmada, Kadirli yöresinde örülen ve kullanılan oyalar ele alınmıştır. Bunun için yazar, çeşitli tarihlerde İstanbul’dan Kadirli’ye gelerek çeyizinde oya ve oyalı yağlık olduğunu bildiği en yakın akrabalarından başlayarak, komşular, uzak komşular ve araştırma için gittiği birçok köyde oya sahibi hanımları bulmuş, oyalarını görmüş ve yüzlerce fotoğraf çekerek bu eseri oluşturmuştur. Yazara göre, her gün insanların önünden çok sayıda fırsat akıp gitmektedir. Hatta bu fırsatlardan bir bölümü maddi kazanımlar sağl...
The Mobility of People and Things in the Early Modern Mediterranean
For centuries artists, diplomats, and merchants served as cultural intermediaries in the Mediterranean. Stationed in port cities and other entrepôts of the Mediterranean, these go-betweens forged intercultural connections even as they negotiated and sometimes promoted cultural misunderstandings. They also moved objects of all kinds across time and space. This volume considers how the mobility of art and material culture is intertwined with greater Mediterranean networks from 1580 to 1880. Contributors see the movement of people and objects as transformational, emphasizing the trajectory of objects over single points of origin, multiplicity over unity, and mutability over stasis.
NewSpot
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Making Modernity in the Islamic Mediterranean
The Islamic world's artistic traditions experienced profound transformation in the 19th century as rapidly developing technologies and globalizing markets ushered in drastic changes in technique, style, and content. Despite the importance and ingenuity of these developments, the 19th century remains a gap in the history of Islamic art. To fill this opening in art historical scholarship, Making Modernity in the Islamic Mediterranean charts transformations in image-making, architecture, and craft production in the Islamic world from Fez to Istanbul. Contributors focus on the shifting methods of production, reproduction, circulation, and exchange artists faced as they worked in fields such as photography, weaving, design, metalwork, ceramics, and even transportation. Covering a range of media and a wide geographical spread, Making Modernity in the Islamic Mediterranean reveals how 19th-century artists in the Middle East and North Africa reckoned with new tools, materials, and tastes from local perspectives.
Belleten
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2005
Annually published since 1930, the International Bibliography of Historical Sciences (IBOHS) is an international bibliography of the most important historical monographs and periodical articles published throughout the world, which deal with history from the earliest to the most recent times. The IBOHS is thus currently the only continuous bibliography of its kind covering such a broad period of time, spectrum of subjects and geographical range. The works are arranged systematically according to period, region or historical discipline, and alphabetically according to authors names or, in the case of anonymous works, by the characteristic main title word. The bibliography contains a geographical index and indexes of persons and authors.
