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The 13 essays in this title, most of which focus on the 18th century, survey diverse cultural artefacts that include memoirs, histories, plays, poems, courtesy manuals, children's tales, novels, paintings and even resin! The essays explore relationships between character, context and text and engage various genres and geographies.
Lutoslawski Studies presents for the first time an overview of the great twentieth-century composer Witold Lutoslawski's works and his compositional style, focusing on areas such as the composer's aesthetics, the evolution of his style, and the compositional strategies which apply to broader periods of his creativity. The international team of contributors bring to this study the results of recent research, offering a broader approach that links many issues which have been treated selectively in former studies, as well as throwing new light on the essence of the composer's music and the way in which modern and traditional elements co-exist.
Reproduction of the original: Pan Tadeusz by Adam Mickiewicz
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This research guide is an annotated bibliography of sources dealing with the string quartet. This second edition is organized as in the original publication (chapters for general references, histories, individual composers, aspects of performance, facsimiles and critical editions, and miscellaneous topics) and has been updated to cover research since publication of the first edition. Listings in the previous volume have been updated to reflect the burgeoning interest in this genre (social aspects, newly issued critical editions, doctoral dissertations). It also offers commentary on online links, databases, and references.
"It is important not to confuse freedom with mere permissiveness." Theodore John Kaczynski (1942-) or also known as the Unabomber, is an Americandomestic terrorist and anarchist who moved to a remote cabin in 1971. The cabin lackedelectricity or running water, there he lived as a recluse while learning how to be self-sufficient. He began his bombing campaign in 1978 after witnessing the destruction ofthe wilderness surrounding his cabin.
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In Awangarda, Lisa Cooper Vest explores how the Polish postwar musical avant-garde framed itself in contrast to its Western European counterparts. Rather than a rejection of the past, the Polish avant-garde movement emerged as a manifestation of national cultural traditions stretching back into the interwar years and even earlier into the nineteenth century. Polish composers, scholars, and political leaders wielded the promise of national progress to broker consensus across generational and ideological divides. Together, they established an avant-garde musical tradition that pushed against the limitations of strict chronological time and instrumentalized discourses of backwardness and forwardness to articulate a Polish road to modernity. This is a history that resists Cold War periodization, opening up new ways of thinking about nations and nationalism in the second half of the twentieth century.