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A collection of essays by an international group of scholars, The Edges of Trauma: Explorations in Visual Art and Literature addresses the vast cultural and discursive construction that trauma has become in recent decades. Unravelling aspects of representing, narrating, testifying to trauma and of sharing or conveying traumatic non-experience, many of the essays offer new perspectives on traditionally central topics of trauma studies, including shellshock, sexual abuse, the Holocaust, AIDS and 9/11, or on canonical trauma texts, such as Art Spiegelman’s Maus, W. G. Sebald’s Austerlitz and Virginia Woolf’s autobiographical writings. Some authors take issue with the at least partly comme...
The 19th century has become especially relevant for the present--as one can see from, for example, large-scale adaptations of written works, as well as the explosion of commodities and even interactive theme parks. This book is an introduction to the novelistic refashionings that have come after the Victorian age with a special focus on revisions of Charlotte Bronte's Jane Eyre and Charles Dickens's Great Expectations. As post-Victorian research is still in the making, the first part is devoted to clarifying terminology and interpretive contexts. Two major frameworks for reading post-Victorian fiction are developed: the literary scene (authors, readers, critics) and the national-identity, political and social aspects. Among the works examined are Caryl Phillips's Cambridge, Matthew Kneale's English Passengers, Peter Carey's Oscar and Lucinda and Jack Maggs, Lloyd Jones's Mister Pip, Jean Rhys's Wide Sargasso Sea, D.M. Thomas's Charlotte, and Jasper Fforde's The Eyre Affair.
British Fiction Today provides students and readers with a critical introduction to key authors and novels since 1990 and provides the latest critical perspectives on current British fiction. It offers comprehensive and up-to-date coverage of a broad range of selected contemporary authors, drawing together both established and emerging literary voices reflecting the scope of the new British writing. The book is organised around common themes - Modern Lives, Contemporary Living; Dreamtime; States of Identity and Histories. Each section begins with a short introductory essay and ends with a guide to further reading. Introducing key works, writers and major themes including post-colonialism, pluralism, gender and history, this book is the ideal guide to British fiction today. Includes discussion of Martin Amis, Julian Barnes, Jonathan Coe, Alan Hollinghurst, Peter Ackroyd, Jenny Diski, Ben Okri, Salman Rushdie, Toby Litt, Ian McEwan, Zadie Smith, Jeanetter Winterson, Pat Barker, A S Byatt, Adam Thorpe and Sarah Waters.
This book offers an accessible critical introduction to the work of Graham Swift, one of Britain's most significant contemporary authors. Through detailed readings of his novels and short stories from The Sweet Shop Owner to The Light of Day, Daniel Lea lucidly addresses the key themes of history, loss, masculinity and ethical redemption, to present a fresh approach to Swift.
Offers a comprehensive and wide-ranging study of children's film, Takes an interdisciplinary approach that encompasses contributions from scholars in the fields of film studies, children's education, children's media studies, children's literature studies, animation studies, and fandom studies, Features an international scope, covering iconic films from Hollywood (including Disney), as well as from Britain France, Germany, Sweden, Norway, Hungary, Australia, China, Japan, South Korea, India, Iran, and Kenya, Includes chapters written from a range of critical approaches to children's film, including genre, ideology, narrative, stardom, music, industry studies, and primary research on audiences and reception Book jacket.
Booker-shortlisted for Time's Arrow and widely known for his novels, short stories, essays, reviews, and autobiographical works, Martin Amis is one of the most influential of contemporary British writers. This guide to Amis's diverse and often controversial work offers: an accessible introduction to the contexts and many interpretations of his texts, from publication to the present an introduction to key critical texts and perspectives on Amis's life and work, situated within a broader critical history cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of Martin Amis and seeking not only a guide to his works but also a way through the wealth of contextual and critical material that surrounds them.
This volume discusses the question of presence and/or absence from a transdisciplinary perspective, and intends to provide insights into how a wide range of disciplines addresses this issue which has been at the centre of philosophical, theoretical and critical debates in the past decades. As the essays in the volume prove, apparently diverse areas can have a lot in common and talk to each other in sometimes surprising ways. The topics discussed include modals in various languages and black slave funeral sermons, pragmatic markers and the Australian Stolen Generation, the transcendental in poems by Ann Bradstreet, Arthur Symons and Philip Larkin, short stories by Katherine Mansfield, generic...
Suffering in Anglophone Literatures engages with postclassical Trauma Studies and opens the traumatic envelope to embrace concepts such as toleration, mourning, nostalgia, vulnerability and existential Angst. The first section explores insomnia in Shakespeare, testimonial suffering in Richardson, nostalgia in Clare, work as a form of suffering in Tennyson and pleasurable suffering in Trollope. The second section deals with suffering as expressed in blues (by August Wilson), intergenerational healing (by Rosanna Deerchild), systemic pain in war fiction (from World War One to the Vietnam War), personal and historical nostalgia (by John Banville) and literary non-commitment to suffering (by Joyce, and Philip Kerr). The final section turns to more recent literary texts ranging from the poetry of Derek Mahon, Philip Metres and Solmaz Sharif to novels on intergenerational trauma (by Kate Morton), the sexual abuse of women (by Miriam Toews) and growing up in poverty (by Douglas Stuart).
The screen has never been merely a canvas for the images to be displayed but also – to quote Jean-Luc Godard – “a blank page”, a surface for inscriptions and a “stage” for all kinds of linguistic occurrences be their audible or visual. Word did not come into the world of cinema at the time of the talkies but has been a primordial medial “companion” that has shaped the cinematic experience from its very beginnings. This volume offers a collection of essays that question the role of words and images in the context of moving pictures covering a wide area of their interconnectedness. How can we analyse literary adaptations? What is the role of adaptations in the evolution of spec...
This book offers innovative investigations of the concept of life in art and in theory. It features essays that explore biopoetics and look at how insights from the natural sciences shape research within the humanities. Since literature, works of art, and other cultural products decisively shape our ideas of what it means to be human, the contributors to this volume examine the question of what literature, literary and cultural criticism, and philosophy contribute to the distinctions (or non-distinctions) between human, animal, and vegetal existence. Coverage combines different methodological aspects and addresses a wide field of comparative literary studies. The essays consider the question...