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Indian Drama
  • Language: en
  • Pages: 206

Indian Drama

The book explores the various histories and aspects of Indian drama in different languages.

Tamil Drama, Origin and Development
  • Language: en
  • Pages: 436

Tamil Drama, Origin and Development

  • Type: Book
  • -
  • Published: 1981
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  • Publisher: Unknown

None

Stigmas of the Tamil Stage
  • Language: en
  • Pages: 473

Stigmas of the Tamil Stage

A study of the lives of popular theater artists, Stigmas of the Tamil Stage is the first in-depth analysis of Special Drama, a genre of performance unique to the southernmost Indian state of Tamilnadu. Held in towns and villages throughout the region, Special Drama performances last from 10 p.m. until dawn. There are no theatrical troupes in Special Drama; individual artists are contracted “specially” for each event. The first two hours of each performance are filled with the kind of bawdy, improvisational comedy that is the primary focus of this study; the remaining hours present more markedly staid dramatic treatments of myth and history. Special Drama artists themselves are of all age...

Tamil Geographies
  • Language: en
  • Pages: 338

Tamil Geographies

  • Type: Book
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  • Published: 2008-05-22
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  • Publisher: SUNY Press

How perceptions of land and space influence social and aesthetic conditions in the Tamil region of India.

Drama in Ancient Tamil Society
  • Language: en
  • Pages: 482

Drama in Ancient Tamil Society

  • Type: Book
  • -
  • Published: 1981
  • -
  • Publisher: Unknown

None

An Anthology Of English Essays : Critical Writing In Multidisciplinary Way
  • Language: en
  • Pages: 199

An Anthology Of English Essays : Critical Writing In Multidisciplinary Way

This book contains nineteen essays focused on diverse literature of Indian and English authors with tradition, religion, ritual concerns, circumstances, art and culture – the main critical formations by multidisciplinary way. The compendiums of Indian Folklore such as Panchatantra, Hitopadesha, Kathasaritsagara, Jataka and others narrations have filled with knowledge and wisdom which lead us in right path – “Good wins over evil,” To obey your elders,” “Life is a long lesson in humanity,” “Humans as slave of circumstances,” “Back to the Vedas,” “The path of glory leads but to the grave” – are some quotes remain popular and valuable in all times to read, to understand, and to follow.

Library of Congress Subject Headings
  • Language: en
  • Pages: 1596
Lexicon of Tamil Literature
  • Language: en
  • Pages: 813

Lexicon of Tamil Literature

  • Type: Book
  • -
  • Published: 2021-12-06
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  • Publisher: BRILL

Lexicon of Tamil Literature is a reference-dictionary of Tamil literature of South India from its early beginnings more than 2000 years ago until the present time (ca. 1980). It includes in the order of Roman alphabet names and short biographies of authors, lists of their works, anonymous literary works and most important matters of Tamil prosody, rhetoric and poetics. Whenever available, bibliographic data are given with individual entries in selection. Brief contents and evaluative statements are given with literary works of greater importance, whether ancient or modern. An introduction is included. The work is the first of its kind in a non-Indian language. It is an indispensable source of data and work of reference for Tamil literature in particular, and for the totality of Indic literatures in general.

Honeymoon Couples and Jurassic Babies
  • Language: en
  • Pages: 291

Honeymoon Couples and Jurassic Babies

Honeymoon Couples and Jurassic Babies is the first in-depth study of Sabha Theater, a type of Tamil-language popular theater that started in Chennai (Madras) in the period following India's independence, thriving especially between 1965 and 1985. Breaking new ground in the study of stage and performance, this interdisciplinary book presents a complex view of a significant genre, using historical research and ethnographic information obtained through interviews with performers, writers, and audience members, as well as observations of rehearsals, performances, and television and film shootings. This careful coverage not only contextualizes Sabha Theatre historically, politically, and aesthetically within the wider history of the Tamil stage and a performance scene that includes classical dance and mass media but also reveals how its plays express a Tamil Brahmin identity that is at once traditional and modern. Analyzing what particular plays mean to the specific, urban, elite Brahmin community that produces and consumes them, Kristen Rudisill examines humor that reveals a complex Brahmin identity and surveys markers of moral superiority.