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Biography of Tanya Riches, currently All-Seminary Chapel Coordinator at Fuller Theological Seminary, previously Research Assistant at Centre for Disability Studies, The University of Sydney and Research Assistant at Centre for Disability Studies, The University of Sydney.
This volume explores issues and themes related to violence against women. The contributing authors approach the topic from a Pentecostal perspective both in the way they assess the pervasiveness and urgency of the problem and in the solutions they propose.
This book is a printed edition of the Special Issue "Current Trajectories in Global Pentecostalism: Culture, Social Engagement, and Change" that was published in Religions
Theologian Steven Félix-Jäger offers a theology of renewal worship, including its biblical foundations, how its global nature is expressed in particular localities, and how charismatic worship shapes the community of faith. With this guidance, the whole church might better understand what it means to pray, "Come, Holy Spirit!"
Christian worship emerges from and speaks back into human relationships that are necessarily shaped by power and authority. Free Churches structure and negotiate power in relation to worship in ways that reflect the decentralization, local diversity, and personal agency that characterize many aspects of Free Church theology and practice. This volume models how dialogue among scholars and practitioners of Free Church worship, as well as dialogue with the wider church, can be mutually enriching as Christians strive together to worship in ways that are faithful and just.
This book investigates how arts-based research methods can positively influence people’s resilience and well-being, particularly in constraining environments. Using examples from arts-based research methods in different contexts and from across the globe, the book brings together a diverse range of perspectives to understand how both resilience and well-being can be supported in a world that is rarely stress free. Collectively they demonstrate how arts-based research methods can: provide agency through the foregrounding of participants’ voices; afford transformational learning opportunities; create opportunities for relationship building; support creativity and new ways of thinking; gene...
Being a follower of Jesus in the evangelical community in America is equated to a posture, practice, and pursuit of triumphalism. Followers of Jesus have misunderstood, maybe even lost, the great value of public and private lament. Lament is incongruent with a theology of continual and ongoing triumphalism. Yet, suffering, loss, and lament permeate Scripture and the human experience. To lament is to cry out to God with our doubts and to bring complaints against God. It is a posture and practice of worship and surrender that helps followers of Jesus wrestle, engage, process, and understand loss, creating a sacred space for the suffering voice to speak. Lament is a practice absent in the church that is recognized and understood as a way of naming grief and suffering, of standing and hoping in the midst of ruins. In the context of San Francisco, the practice and theology of lament in the lives of those who follow Jesus becomes a parody of cultured syllogisms and hyper-vanquishing that forms a community frail to moments of liminality, anxious in seasons of uncertainty, and ill-equipped to deal with the obscurities of everyday life.
In The Spirit of Praise, Monique Ingalls and Amos Yong bring together a multidisciplinary, scholarly exploration of music and worship in global pentecostal-charismatic Christianity at the beginning of the twenty-first century. The Spirit of Praise contends that gaining a full understanding of this influential religious movement requires close listening to its songs and careful attention to its patterns of worship. The essays in this volume place ethnomusicological, theological, historical, and sociological perspectives into dialogue. By engaging with these disciplines and exploring themes of interconnection, interface, and identity within musical and ritual practices, the essays illuminate larger social processes such as globalization, sacralization, and secularization, as well as the role of religion in social and cultural change. Aside from the editors, the contributors are Peter Althouse, Will Boone, Mark Evans, Ryan R. Gladwin, Birgitta J. Johnson, Jean Ngoya Kidula, Miranda Klaver, Andrew Mall, Kimberly Jenkins Marshall, Andrew M. McCoy, Martijn Oosterbaan, Dave Perkins, Wen Reagan, Tanya Riches, Michael Webb, and Michael Wilkinson.
Vibrant worship music is part of the Charismatic liturgy all around the world, and has become in many ways the hallmark of Pentecostal-Charismatic Christianity. Despite its centrality, scholarly interest in the theological and ritual significance of worship for pentecostal spirituality has been sparse, not least in Africa. Combining rich theoretical and theological insight with an in-depth case study of worship practices in Nairobi, Kenya, this interdisciplinary study offers a significant contribution to knowledge and is bound to influence scholarly discussions for years to come. The book is a must-read for anyone interested in Pentecostal worship, ritual, and spirituality.
This interdisciplinary volume brings together leading writers and thinkers to provide a critique of a broad range of topics related to Hillsong Church. Hillsong is one of the most influential, visible, and (in some circles) controversial religious organizations/movements of the past thirty years. Although it has received significant attention from both the academy and the popular press, the vast majority of the scholarship lacks the scope and nuance necessary to understand the complexity of the movement, or its implications for the social, cultural, political, spiritual, and religious milieus it inhabits. This volume begins to redress this by filling important gaps in knowledge as well as introducing different audiences to new perspectives. In doing so, it enriches our understanding of one of the most influential Christian organizations of the late 20th and early 21st centuries.