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Tao Yuanming and Manuscript Culture
Winner of a 2006 Choice Magazine Outstanding Academic Title Award As medieval Chinese manuscripts were copied and recopied through the centuries, both mistakes and deliberate editorial changes were introduced, thereby affecting readers' impressions of the author's intent. In Tao Yuanming and Manuscript Culture, Xiaofei Tian shows how readers not only experience authors but produce them by shaping texts to their interpretation. Tian examines the mechanics and history of textual transmission in China by focusing on the evolution over the centuries of the reclusive poet Tao Yuanming into a figure of epic stature. Considered emblematic of the national character, Tao Yuanming (also known as Tao Q...
Reading Tao Yuanming
Tao Yuanming (365?–427), although dismissed as a poet following his death, is now considered one of China’s greatest writers. Over the centuries, portrayals of his life—some focusing on his eccentricity, others on his exemplary virtue—have elevated him to iconic status. This study of the posthumous reputation of a central figure in Chinese literary history, the mechanisms at work in the reception of his works, and the canonization of Tao himself and of particular readings of his works sheds light on the transformation of literature and culture in premodern China. It focuses on readers’ interpretive negotiations with Tao’s works and on changes in hermeneutical practices, critical ...
Tao II
Millions of people are searching for secrets,wisdom, knowledge, and practical techniques to heal, rejuvenate, prolong life, and move toward immortality. The way to accomplish all of these is to reach and meld with Tao. This book, the successor to Tao I: The Way of All Life, reveals the highest secrets and most powerful practical techniques for the Tao journey, which includes one’s physical healing and rejuvenation journey and one’s entire spiritual journey. Its essence can be summarized in one sentence: Jin Dan Da Tao Xiu Lian is the way to heal, rejuvenate, prolong life, and move in the direction of immortality. Shou Yi Yan Jin Ye is the most important daily practice for reaching Tao. ...
Tao Shiatsu
Human beings in the modern age are increasingly wired into a global computer network that surrounds and interconnects the whole earth. Yet ironically, the distortions and stresses of urban living cut people off from the direct experience of the earth as one single living entity. The healing that Tao Shiatsu brings is for all who suffer and wish to be healed. It is for everyone.
英華合璧
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The Tao and the Logos
The author investigates the metaphorical nature of poetic language, highlighting the central figures of reality and meaning in both Eastern and Western thought: the Tao and the Logos.
Intoxicating Manchuria
In China, both opium and alcohol were used for centuries in the pursuit of health and leisure while simultaneously linked to personal and social decline. The impact of these substances is undeniable, and the role they have played in Chinese social, cultural, and economic history is extremely complex. In Intoxicating Manchuria, Norman Smith reveals how warlord rule, Japanese occupation, and political conflict affected local intoxicant industries. These industries flourished throughout the early twentieth century, even as a vigorous anti-intoxicant movement raged. Through the lens of popular Chinese media depictions of alcohol and opium, Smith analyzes how intoxicants and addiction were understood in this society, the role the Japanese occupation of Manchuria played in their portrayal, and the efforts made to reduce opium and alcohol consumption. This is the first English-language book-length study to focus on alcohol use in modern China and the first dealing with intoxicant restrictions in the region.
Chinese Discourses on the Peasant, 1900-1949
Shows how Chinese intellectuals with varying politics envisioned the peasantry and its role in changing society during the first half of the twentieth century.
The Road to East Slope
Su Shi (1037-1101) is the greatest poet of the Song Dynasty, a man whose writings and image defined some of the enduring central themes of the Chinese cultural tradition. Su Shi was not only the best poet of his time, he was also a government official, a major prose stylist, a noted calligrapher, an avid herbalist, a dabbler in alchemy, and a broadly learned scholar. The author shows how this complex personality was embodied in Su Shi's work and traces the evolution of his poems from juvenilia to the poems written in exile in Huangzhou, where Su settled on a farm at East Slope.
