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ADVENTURES IN BLACK AND WHITE, a memoir-travelogue first published in 1960, is being reissued with a critical introduction, including minor edits and annotations of the original text by scholar Tara Betts. Recognized as a prodigy at an early age, Philippa Duke Schuyler was heralded as America's first internationally-acclaimed mixed race celebrity. Her father, a conservative black journalist, and her mother, a white Texan heiress, dedicated Schuyler's development to the cause of integration with the claim that racial mixing could produce a superior hybrid human, a claim that Schuyler resisted, but would nonetheless hurl her into a destructive identity crisis that consumed her throughout her l...
THE BEIGING OF AMERICA, BEING MIXED RACE IN THE 21ST CENTURY, takes on "race matters" and considers them through the firsthand accounts of mixed race people in the United States. Edited by mixed-race scholars Cathy J. Schlund-Vials, Sean Frederick Forbes and Tara Betts, this collection consists of 39 poets, writers, teachers, professors, artists and activists, whose personal narratives articulate the complexities of interracial life. THE BEIGING OF AMERICA was prompted by cultural critic/scholar Hua Hsu, who contemplated the changing face and race of U.S. demographics in his 2009 The Atlantic article provocatively titled "The End of White America." In it, Hsu acknowledged "steadily ascending rates of interracial marriage" that undergirded assertions about the "beiging of America." THE BEIGING OF AMERICA is an absorbing and thought-provoking collection of stories that explore racial identity, alienation, with people often forced to choose between races and cultures in their search for self-identity. While underscoring the complexity of the mixed-race experience, these unadorned voices offer a genuine, poignant, enlightening and empowering message to all readers.
poetry chapbook, kwansaba form
A bold statement for those living within the industrial prison complex, realized in block prints of the Universal Declaration of Human Rights. Inside prisons across the U.S., incarcerated people struggle everyday for their basic rights, claiming again and again their status as human beings. Here, within the largest democracy in the world (conditional though it may be), incarcerated people suffer indignities from terrible living conditions to physical and sexual violence, all under the aegis of justice. As a tool to discuss the limits and ideals of human rights within a carceral state, artists at Stateville Prison, who struggle daily for their own human rights, created block prints of each ar...
Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild. Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and Af...
"Race is a visual phenomenon, the ability to see "difference." At least that is what conventional wisdom has lead us to believe. Yet, The Sonic Color Line argues that American ideologies of white supremacy are just as dependent on what we hear-voices, musical taste, volume-as they are on skin color or hair texture. Reinforcing compelling new ideas about the relationship between race and sound with meticulous historical research, Jennifer Lynn Stoever helps us to better understand how sound and listening not only register the racial politics of our world, but actively produce them. Through analysis of the historical traces of sounds of African American performers, Stoever reveals a host of racialized aural representations operating at the level of the unseen-the sonic color line-and exposes the racialized listening practices she figures as "the listening ear."" --New York University Press.
A vital history of organizing within and beyond the walls of women’s prisons in the 1970s, illuminating a crucial chapter in today’s abolition feminist struggles. This new edition of an award-winning book features a foreword from acclaimed scholar-activist Sarah Haley and an afterword by Thuma. During the 1970s, grassroots activists within and beyond the walls of women’s prisons forged a radical politics against gender violence and incarceration. Scholar-activist Emily L. Thuma traces the making of this anticarceral feminism at the intersections of struggles for racial and economic justice, imprisoned and institutionalized people’s rights, and gender and sexual liberation. All Our Tr...
A collection of bookstore erotica by contemporary poets, fiction authors & comic artists.