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Nothing Will Be Different
Hilary Weston Writers’ Trust Prize for Nonfiction 2022 — Shortlisted A neurotic party girl's coming-of-age memoir about learning to live before getting ready to die. Tara has it pretty good: a nice job, a writing career, a forgiving boyfriend. She should be happy. Yet Tara can’t stay sober. She’s terrible at monogamy. Even her psychiatrist grows sick of her and stops returning her calls. She spends most of her time putting out social fires, barely pulling things off, and feeling sick and tired. Then, in the autumn following her twenty-seventh birthday, an abnormal lump discovered in her left breast serves as the catalyst for a journey of rigorous self-questioning. Waiting on a diagnosis, she begins an intellectual assessment of her life, desperate to justify a short existence full of dumb choices. Armed with her philosophy degree and angry determination, she attacks each issue in her life as the days creep by and winds up writing a searingly honest memoir about learning to live before getting ready to die. A RARE MACHINES BOOK
Scorpion Season
In this narrative in verse, a failed academic with a dead-end domestic labour job disappears into her own consciousness in an attempt to distance herself from her circumstances. Up against poverty and political tyranny that seems to worsen by the day, she finds solace in substance abuse and destructive relationships. But as the boundaries between fantasy, reality, her past, and her present start to break down, she's left to figure out what in her life is within her control and what is simply written in the stars. A meditation on grief, pleasure, free will, and totalitarianism, Scorpion Season is an experimental and genre-bending book of poetry about a strange time to be alive.
Girth
From disordered eating to tear gas to coked-out sex, Girth is an uncomfortably honest poetic account of a woman's body, suspended in the tension between action, reflection, and self-destruction. As the speaker attempts to engage in political protest and to be a meaningful part of the political process, she also must overcome her chronic eating disorder. She finds herself impeded by the stumbling blocks of identity, violence, and politics, and the way those things manifest under the skin: as memory, as habit, as pain, or as stillness. A love letter to the best and worst parts of the self, a love letter to the uneasy contradiction in the moment before a decision, a love letter to the state and the process of learning its limits, Girth is at once confrontational and familiar, grappling with the personal, the political, and every other word that means "body" or "I'm sorry."
People You Follow
In this deliciously entertaining memoir, Hayley Gene Penner digs into her sexual history to unearth stories that delicately straddle ethical and unethical behaviour, self-protection and self-destruction.
Ghost Face
In his third DC Books title, Ghost Face, Greg Santos explores what it means to have been a Cambodian infant adopted at birth by a Canadian family. Through a uniquely playful and self-reflective series of poems that pay moving homage to his adoptive parents, and explore the fantasies of a lost family and life in Cambodia, Santos leads the reader through his visceral process of unlearning and relearning who he is and who he might become.
The Secret Keeper
Withdrawing from a family party to the solitude of her tree house, 16-year-old Laurel Nicolson witnesses a shocking murder that throughout a subsequent half century shapes her beliefs, her acting career and the lives of three strangers from vastly different cultures. By the best-selling author of The Distant Hours. Reprint. 200,000 first printing.
All Day I Dream About Sirens
What started as a small sequence of poems about the Starbucks logo grew to monstrous proportions after the poet fell under a siren spell herself. All Day I Dream About Sirens is both an ancient reverie and a screen-induced stupor as these poems reckon with the enduring cultural fascination with siren and mermaid narratives as they span geographies, economies, and generations, chronicling and reconfiguring the male-centered epic and women’s bodies and subjectivities.
Making Love with the Land
#1 NATIONAL BESTSELLER The boundary- and genre-bending non-fiction collection from the Giller-longlisted, GG-shortlisted and Canada Reads– winning author of Jonny Appleseed. “The land and its elements are my aunties calling me home, into that centre point which is a nowhere, by which I mean a place that English has no words for, is an everywhere, is a bingo hall, is a fourth plane, is an ocean.” Making Love with the Land is a startling, challenging, uncompromising look at what it means to live as an Indigenous person “in the rupture” between identities. In these ten unique, heart-piercing non-fiction pieces, award-winning writer Joshua Whitehead illuminates the complex moment we’re living through now, in which Indigenous and non-Indigenous peoples are navigating new and old ideas about “the land.” He asks: What is our relationship and responsibility towards it? And how has the land shaped ideas, histories, words, our very bodies? Intellectually thrilling and emotionally captivating, this book is a love song for the world—and for the library of stories to be found where body meets land, waiting to be unearthed and summoned into word.
A Mind Spread Out on the Ground
"In her raw, unflinching memoir . . . she tells the impassioned, wrenching story of the mental health crisis within her own family and community . . . A searing cry." —New York Times Book Review The Mohawk phrase for depression can be roughly translated to "a mind spread out on the ground." In this urgent and visceral work, Alicia Elliott explores how apt a description that is for the ongoing effects of personal, intergenerational, and colonial traumas she and so many Native people have experienced. Elliott's deeply personal writing details a life spent between Indigenous and white communities, a divide reflected in her own family, and engages with such wide-ranging topics as race, parenthood, love, art, mental illness, poverty, sexual assault, gentrification, and representation. Throughout, she makes thrilling connections both large and small between the past and present, the personal and political. A national bestseller in Canada, this updated and expanded American edition helps us better understand legacy, oppression, and racism throughout North America, and offers us a profound new way to decolonize our minds.
ʔbédayine
Fiction. Native American Studies. Women's Studies. Winner of the 2019 Metatron Prize for Rising Authors. The world is turned inside out. Our solar system has rearranged itself. The earth sits in the orbit where Uranus was. We stole its moon. One moon chases the other as they drift across the sky. Cold air swallows us. Heavy snow. The sun is too far to feel it on our skin. A famine for wildflowers. The world is going to end. Why is the world always fucking ending? In Edmonton, Ronnie learns what it is to be a young Indigenous woman, almost-alone in the city; unable to hear herself over its noise, see through the glare of its lights to find the ground beneath her feet. Stories of addiction, self-discovery, and the love of a good friend come together to form ?B DAYINE, Kaitlyn Purcell's breathtaking debut.
