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Descartes's Method
Descartes's Method develops an ontological interpretation of Descartes's method as a dynamic and, within limits, differentiable problem-solving cognitive disposition or habitus, which can be actualized or applied to different problems in various ways, depending on the nature of the problem. Parts I-II develop the foundations of an habitual interpretation of Descartes's method, while Parts III-V demonstrate the fruits of such an interpretation in metaphysics, natural philosophy, and mathematics. The first book to draw on the recently discovered Cambridge manuscript of Descartes's Rules for the Direction of the Mind, Descartes's Method concretely demonstrates the efficacy of Descartes's method in the sciences and the underlying unity of Descartes's method from Rules for the Direction of the Mind to Principles of Philosophy (1644).
Phenomenology to the Letter
Regarding philosophical importance, Edmund Husserl is arguably "the" German export of the early twentieth century. In the wake of the linguistic turn(s) of the humanities, however, his claim to return to the "Sachen selbst" became metonymic for the neglect of language in Western philosophy. This view has been particularly influential in post-structural literary theory, which has never ceased to attack the supposed "logophobie" of phenomenology. "Phenomenology to the Letter. Husserl and Literature" challenges this verdict regarding the poetological and logical implications of Husserl’s work through a thorough re-examination of his writing in the context of literary theory, classical rhetori...
René Descartes: Regulae ad directionem ingenii
René Descartes's Regulae ad directionem ingenii ('Rules for the Direction of the Understanding') is his earliest surviving philosophical treatise, and in many respects his most puzzling text. It is a profoundly original work with few intellectual precursors, and offers the fullest account anywhere in Descartes's work of his theory of method. Yet Descartes left it unfinished, and unpublished, at his death in 1650. The versions currently known to modern readers are all posthumous: a manuscript copied for Leibniz in the late seventeenth century, a Dutch translation of 1684, and the version printed in 1701 in Amsterdam. As a result, the details and date of its composition, its fragmentary, unfi...
Critical Theory: The Basics
Critical Theory: The Basics brings clarity to a topic that is confusingly bandied about with various meanings today in popular and academic culture. First defined by Max Horkheimer in the 1930s, “critical theory” now extends far beyond its original German context around the Frankfurt School and the emergence of Nazism. We now often speak of critical theories of race, gender, anti-colonialism, and so forth. This book introduces especially the core program of the first-generation of the Frankfurt School (including Horkheimer, Theodor W. Adorno, Erich Fromm, and Herbert Marcuse), and shows how this program remains crucial to understanding the problems, ideologies, and systems of the modern ...
Regenerative Politics
Critics of liberal democracy from both the left and right view rights not as protectors of freedom but as impediments to self-determination and call for radically regenerative political alternatives. Liberals respond to these challenges by reasserting that universal rights are self-evident, intentionally foreclosing the possibility of remaking the political order. Regenerative Politics makes a bold intervention into this fraught landscape, arguing that the survival of rights depends on abandoning their claims to self-evidence. Emma Planinc argues that liberal democracies must open themselves up to a regenerative politics that accepts all claims against political convention as self-determinat...
Middlebrow Modernism
At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Situated at the intersections of twentieth-century music history, historiography, and aesthetics, Middlebrow Modernism uses Benjamin Britten’s operas to illustrate the ways in which composers, critics, and audiences mediated the “great divide” between modernism and mass culture. Reviving mid-century discussions of the middlebrow, Christopher Chowrimootoo demonstrates how Britten’s works allowed audiences to have their modernist cake and eat it: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on moments when reigning aesthetic oppositions and hierarchies threatened to collapse, this study offers a powerful model for recovering shades of grey in the traditionally black-and-white historiographies of twentieth-century music.
African Churches Ministering 'to and with' Persons with Disabilities
This book engages with Christian church traditions and disability issues in Africa, focusing on Zimbabwe in particular. It critically reflects on how the church has not done much to intentionally minister ‘to and with’ persons with disabilities. In the context of this volume, ‘ministering to’ is concerned with creating worshipping space for persons with disabilities; while ‘ministering with’ is connecting and identifying with persons with disabilities to meet their needs from the material life of the church. The author considers a stewardship model of disability as an appropriate ministerial response to transform lives in poverty-stricken postcolonial contexts. The argument put forth is that the church is a living organism endowed with spiritual and material resources, and that these resources should be appropriated to marginalised stakeholders.
A Theologian's Guide to Heidegger
A Theologian’s Guide to Heidegger provides a uniquely theological introduction to the philosophy of Martin Heidegger, by focusing on not just the relationship between Heidegger and theology, or even the nature of the discourse that must occur between theological concerns and Heidegger’s philosophical errands, but by precisely exploring how theology can use Heidegger’s philosophy as a means of outlining the scope and task of postmodern theology. To do this, especially with the postmodern theologian in mind, this book considers the general relationship between Heidegger and theology, how Heidegger can be read theologically, while justifying why Heidegger must be read this way and defining the role that Heidegger must take in postmodern theology. This includes a careful consideration of Heidegger’s early theological roots from Freiburg to Marburg by examining the content of Heidegger’s lesser-known theologically-minded seminars, lectures, and talks.
