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The political control of music in the Third Reich has been analysed from several perspectives, and with ever increasing sophistication. Toby Thacker asks how and why music was controlled in Germany under Allied Occupation from 1945-1949, and in the early years of 'semi-sovereignty' between 1949 and 1955. The 're-education' of Germany after the Hitler years was a unique historical experiment and the place of music within this is explored here for the first time.
This is a new release of the original 1948 edition.
The development of agents capable of cleaving RNA and DNA has attracted considerable attention from researchers in the last few years, because of the immediate and very important applications they can find in the emerging fields of biotechnology and pharmacology. There are essentially two classes of these agents - nucleases that occur naturally inside cells and synthetically produced artificial nucleases. The first class includes protein enzyme nucle ases and catalytic RNA structured ribozymes that perform cleavage of the phosphodiester bonds in nucleic acids according to a hydrolytic pathway in the course of different biochemical processes in the cell. A different pathway is used by some an...
In this authoritative guide, expert investigators provide cutting-edge chapters dealing with modern plant systems biology approaches. This work provides the kind of detailed description and implementation advice that is crucial for getting optimal results.
This study reveals the more complex reality of Early Modern Naples than what has commonly been represented, in which royal representatives in the city came to depend on the assistance of a series of merchants, financiers, and bureaucrats who shared a common identity as conversos, descendants of converted Jews.
An exquisite new story to delight readers young and old, from a much-loved writer and illustrator.
The contributors to this volume challenge the view that biography has little importance for music history, analysis, and criticism. Collectively, they reassert biography's centrality and relevance, and demonstrate biography's potential to speak not only to the crucial questions that music analysis and criticism raise, but also to more general epistemological questions about the nature of music history itself.