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Chasing a Croatian Girl
This is the lighthearted story of American Cody McClain Brown's adjustments to life in Croatia. After falling in love with an enigmatic, beautiful Croatian girl (whom he knows is from Croatia but assumes that means Russia), Cody eventually woos her and the two move to Split, Croatia. There, he encounters a world of deadly drafts, endless coffees, and the forceful will of his matriarchal mother-in-law. Chasing a Croatian Girl moves past the beautiful pictures of Croatia and humorously discovers the beauty of Croatia's people and culture.
American Gangster Cinema
Much analysis of gangster movies has been based upon a study of the gangster as a malign figuration of the American Dream, originally set in the era of the Depression. This text extends previous analysis of the genre by examining the evolution of gangster movies from the 1930s to the contemporary period and by placing them in the context of cultural and cinematic issues such as masculinity, consumerism and technology. With a close examination of many films from Scarface and Public Enemy to Reservoir Dogs and Pulp Fiction , this book provides a fascinating insight into a topical and popular subject.
Encyclopedia of Science, Technology, and Ethics
This encyclopedia considers both the professional ethics of science and technology, and the social, ethical, and political issues raised by science and technology.
Spirituality and Social Work
Spirituality is an area of thought and practice that is attracting an increasing amount of attention and interest from social work practitioners, theorists, and instructors. This book explores the history, practice, and diversity of faith traditions with which spirituality and social work are intertwined.
Dreams and Dead Ends
Dreams and Dead Ends provides a compelling history of the twentieth-century American gangster film. Beginning with Little Caesar (1930) and ending with Things To Do In Denver When You're Dead (1995), Jack Shadoian adroitly analyzes twenty notable examples of the crime film genre. Moving chronologically through nearly seven decades, this volume offers illuminating readings of a select group of the classic films--including The Public Enemy, D.O.A., Bonnie and Clyde, and The Godfather--that best define and represent each period in the development of the American crime film. Richly illustrated with more than seventy film stills, Dreams and Dead Ends details the evolution of the genre through insightful and precise considerations of cinematography, characterization, and narrative style. This updated edition includes new readings of three additional movies--Once Upon a Time in America, Things To Do In Denver When You're Dead, and Criss Cross--and brings this clear and lively discussion of the history of the gangster film to the end of the twentieth century.
Etimološki slovar slovenskega jezika IV.
četrta knjiga Etimološkega slovarja slovenskega jezika, ki obravnava gesla na črke Š do Ž, je zadnja knjiga tega znanstveno zasnovanega etimološkega slovarja, ki po svoji temeljitosti presega večino sodobnih etimoloških slovarjev drugih modernih jezikov. Delo z etimološkega in jezikovnozgodovinskega vidika obravnava veliko večino slovenskih nelastnoimenskih besed, tudi izposojenke, ki jih je narod po svoje prekvasil, in sicer tako današnje standardne kakor tudi samo narečne ali izpričane le zgodovinsko, poleg tega pa prinaša tudi mnoge etimološke razlage lastnih imen. Pri obravnavi posameznih besed teži k navajanju popolne dokumentacije in izčrpne argumentacije.
Considering Counter Narratives
Counter-narratives only make sense in relation to something else, that which they are countering. The very name identifies it as a positional category, in tension with another category. But what is dominant and what is resistant are not, of course, static questions, but rather are forever shifting placements. The discussion of counter-narratives is ultimately a consideration of multiple layers of positioning. The fluidity of these relational categories is what lies at the center of the chapters and commentaries collected in this book. The book comprises six target chapters by leading scholars in the field. Twenty-two commentators discuss these chapters from a number of diverse vantage points, followed by responses from the six original authors. A final chapter by the editor of the book series concludes the book.
Memory, Identity, Community
This multidisciplinary volume documents the resurrection of the importance of narrative to the study of individuals and groups and argues that narrative may become a lingua franca of future debates in the human sciences.
Computer Ethics
For one-semester courses in Computer Ethics, Applied Ethics, Computers, Ethics and Society, Ethics and Information Systems, Computers and Society, or Social Effects of Technology. Written in clear, accessible prose, the Fourth edition of Computer Ethics brings together philosophy, law, and technology. The text provides an in-depth exploration and analysis of a broad range of topics regarding the ethical implications of widespread use of computer technology. The approach is normative while also exposing the student to alternative ethical stances.
