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Assembly
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The Real Ireland
The Real Ireland is the first study of Irish documentary film, but more than that, it is a study of Ireland itself--of how the idea of Ireland evolved throughout the twentieth century and how documentary cinema both recorded and participated in the process of change. More than just a film studies work, it is a discussion of history, politics and culture, which also explores the philosophical roots of the documentary idea, and how this idea informs concepts of society, self and nation. It features rare and previously unseen illustrations and a detailed documentary filmography, the first of its kind in print anywhere.
The Beanpot
This definitive history of Boston's treasured Beanpot Hockey Tournament commemorates the 50th anniversary of the intercollegiate competition between Boston College, Boston University, Harvard University, and Northeastern University.
Journal of the House of Representatives of the United States
Some vols. include supplemental journals of "such proceedings of the sessions, as, during the time they were depending, were ordered to be kept secret, and respecting which the injunction of secrecy was afterwards taken off by the order of the House".
I Am Me
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Jeffrey Hunter
Jeffrey Hunter is best remembered today for his roles as half-breed Martin Pawley in John Ford's classic western The Searchers (1956), as Jesus Christ in Nicholas Ray's King of Kings (1961) and as Christopher Pike, the first captain of the U.S.S. Enterprise, in the original Star Trek pilot. This work chronicles Hunter's entire film and television career from his beginnings as a 20th Century-Fox contract player to his untimely death in 1969 at the age of 42. Fellow 20th Century-Fox contract player Robert Wagner provides the Foreword and contributes his memories of working with Hunter. Former vice president and head of Desilu Studios Herbert F. Solow discusses Hunter's role in the original Star Trek pilot and Lloyd J. Schwartz shares his memories of being present at Hunter's audition for the role of Mike Brady in The Brady Bunch (1969). Hunter's "lost" film Strange Portrait (1966) is also discussed in detail and his radio and theatre career highlighted.
The Thaw
The period from Stalin’s death in 1953 to the end of the 1960s marked a crucial epoch in Soviet history. Though not overtly revolutionary, this era produced significant shifts in policies, ideas, language, artistic practices, daily behaviours, and material life. It was also during this time that social, cultural, and intellectual processes in the USSR began to parallel those in the West (and particularly in Europe) as never before. This volume examines in fascinating detail the various facets of Soviet life during the 1950s and 1960s, a period termed the ‘Thaw.’ Featuring innovative research by historical, literary, and film scholars from across the world, this book helps to answer fundamental questions about the nature and ultimate fortune of the Soviet order – both in its internal dynamics and in its long-term and global perspectives.
