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People from outside of Brasília often dismiss Brazil’s capital as socially divided, boring, corrupt, and emotionally cold. Apparently its founders created not a vibrant capital, but a cultural wasteland. However, as Sophia Beal argues, Brasília’s contemporary artists are out to prove the skeptics wrong. These twenty-first-century artists are changing how people think about the city and animating its public spaces. They are recasting Brasília as a vibrant city of the arts in which cultural production affirms a creative right to the city. Various genres—prose, poetry, film, cultural journalism, music, photography, graffiti, street theater, and street dance—play a part. Brasília’s initial 1960s art was state-sanctioned, carried out mainly by privileged, white men. In contrast, the capital’s contemporary art is marked by its diversity, challenging norms about who has a voice within the Brasília art scene. This art demystifies the capital’s inequities and imagines alternative ways of inhabiting the city.
Illuminating the relevance of literature as a catalyst for rethinking Brazil, this book offers a resistance to the official discourses that have worked to conceal social tensions, injustices, and secular inequities in Brazilian society.
This book reconceives the internationalization of higher education from the perspective of Global-South researchers, empowering and giving visibility to this discourse. Challenging the first assumptions of internationalization of higher education (IHE) as something overwhelmingly positive owing to the way it directly impacts the university activities and their world rankings, it instead takes a critical perspective, acknowledging that this process is associated with a neo-liberal and colonial orientation that focuses on the maintenance of historically sustained hierarchy, oppressive relations that stimulate the production of knowledge, and education as a commodity and not as a factor of soci...
No livro são analisadas as vinculações entre a alternância de regimes políticos e a formulação e a implementação da política externa. Além de estudos teóricos sobre o assunto, o livro publica análises inéditas sobre os casos do Brasil, EUA, França, Rússia, África do Sul, Argentina, Chile e outros, em perspectiva comparada.
Ter conhecimentos de produção gráfica não só ajuda a obter resultados de excelência, como também evita muitos contratempos. Neste livro, Marisa de Lucca explica de forma prática os cuidados que se deve ter no desenvolvimento de projetos de comunicação visual, desde a etapa de criação ao acabamento, abordando a adequação do projeto ao meio em que será exposto, a qualidade das imagens, o aproveitamento de papel, as possibilidades de tinta e os principais problemas de impressão que podem surgir e como resolvê-los. Também são descritos os diferentes tipos de encadernação e de laminação de materiais e os processos relacionados à sustentabilidade que têm sido adotados pela indústria gráfica. Dicas de profissionais da área e um glossário com os principais termos utilizados complementam o conteúdo. Esta publicação do Senac São Paulo visa atender ao público que busca informações em linguagem acessível sobre o universo da produção gráfica e é dirigida tanto a estudantes e profissionais da área como a todos os profissionais de comunicação que lidam com mídia impressa, além de interessados em geral.
This book is about the impact of literature upon cities world-wide, and cities upon literature. It examines why the city matters so much to contemporary critical theory, and why it has inspired so many forms of writing which have attempted to deal with its challenges to think about it and to represent it. Gathering together 40 contributors who look at different modes of writing and film-making in throughout the world, this handbook asks how the modern city has engendered so much theoretical consideration, and looks at cities and their literature from China to Peru, from New York to Paris, from London to Kinshasa. It looks at some of the ways in which modern cities – whether capitals, shanty-towns, industrial or ‘rust-belt’ – have forced themselves on people’s ways of thinking and writing.
Includes entries for maps and atlases.