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For Westerners and Americans in particular, Philippine culture is deceptively familiar. Vestiges of Spanish and American colonial culture, as well as contemporary American media, have created resonances for identifying American culture in Philippine culture. This book guides the reader in re-examining these assumptions of sameness. By taking an unfamiliar text of a noted writer of Tagalog fiction, this study restores the sense of wonder in experiencing Tagalog culture on its own terms rather than by tastes dictated from the outside. The book also examines the broader Tagalog traditions in which the writer, Amado Hernandez, wrote.
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Our Scene So Fair consists of nine critical essays that seek to clarify the poetic tradition that Filipino poets in English have established over the first half of the last century.
The first and only study to date of the Spanish-language literature of both Southeast Asia and West Africa
Widely regarded as a turning point in American independent cinema, Steven SoderberghÕs sex, lies, and videotape (1989) launched the career of its twenty-six-year-old director, whose debut film was nominated for an Academy Award and went on to win the Cannes Film FestivalÕs top award, the Palme dÕOr. The Philosophy of Steven Soderbergh breaks new ground by investigating salient philosophical themes through the unique story lines and innovative approaches to filmmaking that distinguish this celebrated artist. Editors R. Barton Palmer and Steven M. Sanders have brought together leading scholars in philosophy and film studies for the first systematic analysis of SoderberghÕs entire body of work, offering the first in-depth exploration of the philosophical ideas that form the basis of the work of one of the most commercially successful and consistently inventive filmmakers of our time.
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