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This book explores the charismata Paul lists in Rom 12:6-8 within the ritual setting he establishes in Rom 12:1-2. Using analysis from ritual studies, religious studies, and classics, Teresa Lee McCaskill constructs a reception for gentile Christ-followers who were transitioning into a new belief system and in need of sanctioned practices.
Paul’s teaching about divine benefactions in Rom 12:6–8 extends the theme of worship that he establishes in Rom 12:1–2. Together, these passages address a uniquely gentile dilemma that many in his audience faced as new Christ-followers, which was the challenge of finding acceptable replacements for former cultic activities that were woven through all of life’s stages, from birth to death. One of the chief shortcomings of the scholars that have written about Rom 12:6–8 is a failure to address what Paul's gentile audience might have brought to his teaching and how his alignment of gifts with ritual (Rom 12:1–2) mirrored their polytheistic background. By analyzing examples from ancient texts and artifacts, Teresa Lee McCaskill shows that all seven of the terms Paul uses in Rom 12:6–8 would have had recognizable cultic antecedents for first-century worshipers in Rome. McCaskill presents a theoretical model that discusses how Paul’s gentile audience might have viewed the charismata and considered them as examples of sanctioned practices to replace former rituals. She also weighs the effectiveness of these particular gifts for furthering Paul’s missional objectives.
This book is an autobiographical memoir. It tells the story of how God prepared me for the work of theology during childhood and during my schooling at Princeton, Westminster, and Yale. It focuses on those events that shaped my theological convictions and led me to develop my distinctive emphases in theology, apologetics, and philosophy. It seeks to honor God's providence in leading me from one point to another in my life as a son, husband, father, theologian, apologist, and churchman. My goal in the book is to show how one's theological convictions are products, not only of logic and reasoning, but also of the events of one's life and the people one interacts with.
In the context of growing inequality in the twenty-first century, That There May Be Equality seeks to give new audibility to Paul’s appeal to the principle of “equality” in the collection for the poor. L.L. Welborn traces the history of the concept of “equality” in Greek history in order to convey the potency of the idea which Paul invokes. He analyzes the structural inequality of the Roman economy, particularly that of Roman Corinth, and traces the emergence of Paul’s concern about inequality in the ekklēsia of Christ believers at Corinth. Welborn then analyzes Paul’s invocation of the principle of “equality” in his appeal for partnership in the collection for the poor in 2 Corinthians 8 and 9, bringing Paul’s appeal to “equality” into the present-day crisis of global inequality.
Paul and Seneca Among the Condemned: The Use of Spectacle in the Early Empire relocates the comparison of these two figures from the philosopher’s lecture hall to the amphitheaters of Rome and Corinth. The book explores the sites and images of spectacle that littered the landscapes of the ancient world. By examining archaeological remains alongside the letters of Paul and Seneca, James R. Unwin recreates their exhibitions of spectacle imagery. What we discover in viewing these provocative scenes from the grim world of the arena are suggestive responses to sovereign power and state terror. Their responses open up space for us to think through the reproduction of new arenas in our present world.
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In Paul and Image, Philip Erwin challenges conventional interpretations of 1 Corinthians that tend to overlook the significance of ancient Roman visual culture in framing and posing exegetical questions. He argues that in 1 Corinthians Paul engaged in a long-standing philosophical discussion of visual representation, with consequential implications for how he and his Corinthian addressees interacted with the imagery around them. By situating Paul’s letter in the context of the critical discourse on visual representation from Plato to Philo to the Second Sophistic, Erwin redefines Paul’s critique of human wisdom, treatment of idols, and resurrection discourse in visual terms.
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