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“Riveting! Daly plunges straight into the heart of every parent’s worst nightmare with page-turning results.” —Lisa Gardner, #1 New York Times–bestselling author Lisa Kallisto—overwhelmed working mother—is the not-so-perfect model of the modern woman. She holds down a busy job running an animal shelter, she cares for three demanding children, and she worries that her marriage isn’t getting enough attention. During an impossibly hectic week, Lisa takes her eye off the ball for a moment and her world descends into a living nightmare. Not only is her best friend’s thirteen-year-old daughter missing, but it’s Lisa’s fault. To make matters worse, Lucinda is the second teenag...
A story within a story about Psipsi, a young Dakota girl, whose father shares a traditional Uŋktomi story with her. Uŋktomi stories have been shared in Dakota families and communities for a very long time. This tradition continued into the childhood of my mother's generation. Depending upon location and community, variations of this Uŋktomi story have been told. This Uŋktomi story is a local version my mother and her siblings heard from their father, primarily when they were ill, perhaps to lend comfort in addition to impart lessons to a captive audience.
"We are the Stars critically interrogates the U.S. as a settler colonial nation and re-centers Oceti Sakowin women as our tribe's traditional culture keepers and culture bearers"--
While many people think true crime is a new phenomenon, Americans have been obsessed with the genre for over a century, and popular culture continuously tries to cash in. The names of infamous serial killers are well-known, but the identities of their often-female victims are frequently lost to history. This text flips the script and focuses on the women to keep their identities known and remembered. This is the first book to examine how popular culture has mistreated women as both perpetrators and victims of crime, covering a hundred-year span from 1920 to 2020. Detailed is popular culture's interest in true crime and how women in true crime documentation have largely been sexualized and victim-blamed over the decades.
Up From Harlem is an pictorial autobiography of the life and times of Roland Alexander Brown. This book is dedicated to his family and friends who have made his life wonderful and worth living. It is a homage to the people who have influence his life over the last fifty years, and made him the person he is today. This Biography includes awards, people, education and other interesting facts pertaining to his life he wanted to share with friends, family and aquaintances.
Following a resurgence of interest in Daphne du Maurier’s writing, The Pathology of Desire in Daphne du Maurier’s Short Stories offers an overview of all her collections and a detailed reading of nine stories. These contain recurrent references to the incomplete or impaired human form and are best read through a corporeal lens. The criticism illustrates her importance as a cultural commentator fascinated by the results of frustrated human desire, and includes a synopsis of the published collections, and the stories within them, to give the reader a sense of the variety of the overarching themes and the persistent force of corporeality in the stories. Du Maurier is well-known as a novelist, but her short fiction is pivotal to understanding her position and influence as a writer. She rewrites fairytales and foregrounds female violence long before it became a cultural trend.
James Madison is remembered primarily as a systematic political theorist, but this bookish and unassuming man was also a practical politician who strove for balance in an age of revolution. In this biography, Jeff Broadwater focuses on Madison's role in the battle for religious freedom in Virginia, his contributions to the adoption of the Constitution and the Bill of Rights, his place in the evolution of the party system, his relationship with Dolley Madison, his performance as a wartime commander in chief, and his views on slavery. From Broadwater's perspective, no single figure can tell us more about the origins of the American republic than our fourth president. In these pages, Madison emerges as a remarkably resilient politician, an unlikely wartime leader who survived repeated setbacks in the War of 1812 with his popularity intact. Yet Broadwater shows that despite his keen intelligence, the more Madison thought about one issue, race, the more muddled his thinking became, and his conviction that white prejudices were intractable prevented him from fully grappling with the dilemma of American slavery.
Much has been written about Cesar Chavez and the United Farm Workers' heyday in the 1960s and '70s, but the story of their profound, ongoing influence on 21st century social justice movements has until now been left untold. This book unearths this legacy.