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Drawing on the forty years of living on the Tantramar marshes, a small collection of images honouring the landscape of the upper reaches of the Bay of Fundy.
The Nature of Nature celebrates 40 years of production from one of Canada's leading photographers. Firmly located within the North American documentary genre, Holownia's unique practice, using predominantly analogue technologies, merges high craft with prolonged inquiry. This book includes a critical analysis of his work by Sarah Filmore, David Diviney, and Peter Sanger as well as 161 stochastic reproductions in colour and black & white of Holownia's contact prints.
This large-format chapbook includes 13 full-colour reproductions of Holownia's photographs, accompanied by 13 poems by Nova Scotia naturalist and poet Harry Thurston. A stunning integration of image, text, and typography, the book is typeset in Walbaum and printed offset on HannoArt paper.
In Faking Death Penny Cousineau-Levine examines the work of over 120 Canadian photographers, revealing important aspects of Canadian identity and imagination. Contrasting Canadian photography with American and European traditions, she shows that Canadian photographers are often preoccupied with a place that is "elsewhere," a doubling and duality that also occurs in Canadian literature, film, and political life. Subverting the documentary tradition and other stylistic idioms for their own distinctive ends, Canadian photographers exhibit an ambivalent preoccupation with death and dying, bondage, and entrapment. Cousineau-Levine argues that this is characteristically a 'faked' death that expres...
This book celebrates the life and work of acclaimed New Brunswick photographer Thaddeus Holownia, former head of Fine Arts and Research Professor at Mount Allison University, and recipient of the Lieutenant-Governor's Award for High Achievement in the Arts. As well as providing a biographical overview, Peter Sanger's lyrical survey contextualizes Holownia's extensive body of work, revealing how his photographs "construct, refine, vary, sustain, and share patterns of spatial structure, imagery, and thematic implication in a continuous present which is the true tense of Holownia's art."
In this book John Leroux and Thaddeus Holownia explore the rich architectural heritage of St. Andrews, New Brunswick. From the site of the first attempt at permanent European-based architecture in Canada on St. Croix Island in 1604 to the rational grid of streets developed upon the arrival of the United Empire Loyalists in the 1780s, from modest wooden Cape Cod cottages and mercantile buildings to refined Georgian manors and grand Shingle Style summer homes, St Andrews exhibits an impressive diversity of styles, building materials and techniques. St. Andrews Architecture attempts to articulate the social history of this town, demonstrating how architecture can unmistakably expresses the spirit of a place and of the people who built it.
In Faking Death Penny Cousineau-Levine examines the work of over 120 Canadian photographers, revealing important aspects of Canadian identity and imagination. Contrasting Canadian photography with American and European traditions, she shows that Canadian photographers are often preoccupied with a place that is elsewhere, a doubling and duality that also occurs in Canadian literature, film and political life. Subverting the documentary tradition and other stylistic idioms for their own distinctive ends, Canadian photographers exhibit an ambivalent preoccupation with death and dying, bondage, and entrapment. Cousineau-Levine argues that this is characteristically a faked death that expresses a collective Canadian wish for a symbolic passage to national maturity. The book includes 16 colour reproductions and 150 duotones by artists such as Raymonde April, Jeff Wall, Lynne Cohen, Charles Gagnon, Evergon, Michel Lambeth, Thaddeus Holownia, Geoffrey James, Genevi ve Cadieux, Shelley Niro, Diana Thorneycroft, Jin-me Yoon, Ian Wallace, and Ken Lum. This work provides a visual introduction to one of Canada's most vibrant and internationally recognized artistic media.
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