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Metropolis
Metropolis is set in 2026 in a technologically advanced city, which is sustained by the existence of an exploited class of laborers who live underground, far away from the gleaming surface world. Freder, the son of one of the city’s founders, falls in love with Maria, a girl from the underground. The two worlds are destined to clash and upheaval is inevitable. Can the two lovers survive the coming turmoil. Metropolis the novel was written along side the script for the movie. The two works intertwine to give a complete experience, much like the film and book versions of 2001: A Space Odyssey, one supports the other by bringing clarity and understanding to what the visual virtuosity of the other was meant to convey. This book is not of today or of the future. It tells of no place. It serves no cause, party or class. It has a moral which grows on the pillar of understanding: “The mediator between brain and muscle must be the Heart. —Thea Von Harbou
Metropolis
This is Metropolis, the novel that the film's screenwriter -- Thea von Harbou, who was director Fritz Lang's wife, and a collaborator in the creation of the film -- this is the novel that Harbou wrote from her own notes. It contains bits of the story that got lost on the cutting-room floor; in a very real way it is the only way to understand the film.
Thea Von Harbou
Metropolis is a 1925 science fiction novel by the German writer Thea von Harbou. The novel was the basis for and written in tandem with Fritz Lang's 1927 film Metropolis.
Metropolis
This is Metropolis, the novel that the film's screenwriter -- Thea von Harbou, who was director Fritz Lang's wife, and a collaborator in the creation of the film -- this is the novel that Harbou wrote from her own notes. It contains bits of the story that got lost on the cutting-room floor; in a very real way it is the only way to understand the film.
Metropolis the Novel
This is Metropolis, the novel that the film's screenwriter -- Thea von Harbou, who was director Fritz Lang's wife, and a collaborator in the creation of the film -- this is the novel that Harbou wrote from her own notes. It contains bits of the story that got lost on the cutting-room floor; in a very real way it is the only way to understand the film.
Metropolis
This is Metropolis, the novel that the film's screenwriter -- Thea von Harbou, who was director Fritz Lang's wife, and a collaborator in the creation of the film -- this is the novel that Harbou wrote from her own notes. It contains bits of the story that got lost on the cutting-room floor; in a very real way it is the only way to understand the film. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our vie...
Metropolis
This is Metropolis, the novel that the film's screenwriter - Thea von Harbou, who was director Fritz Lang's wife, and a collaborator in the creation of the film - this is the novel that Harbou wrote from her own notes. It contains bits of the story that got lost on the cutting-room floor; in a very real way it is the only way to understand the film. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view ...
Metropolis
This is Metropolis, the novel that the film's screenwriter -- Thea von Harbou, who was director Fritz Lang's wife, and a collaborator in the creation of the film -- this is the novel that Harbou wrote from her own notes. It contains bits of the story that got lost on the cutting-room floor; in a very real way it is the only way to understand the film.
Metropolis Illustrated
This is Metropolis, the novel that the film's screenwriter -- Thea von Harbou, who was director Fritz Lang's wife, and a collaborator in the creation of the film -- this is the novel that Harbou wrote from her own notes. It contains bits of the story that got lost on the cutting-room floor; in a very real way it is the only way to understand the film.
