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This Weimar-era novel of a futuristic society, written by the screenwriter for the iconic 1927 film, was hailed by noted science-fiction authority Forrest J. Ackerman as "a work of genius."
In the early nineteen thirties Ayi Tendulkar, a young journalist from a small town in Maharashtra, travelled to Germany to study. Within a short time he married Eva Schubring, his professor’s daughter. Soon after the short-lived marriage broke up, Tendulkar, by now also a well-known journalist in Berlin, met and fell in love with the filmmaker Thea von Harbou, divorced wife of Fritz Lang, and soon to be Tendulkar’s wife. Many years his senior, Thea became Tendulkar’s support and mainstay in Germany, encouraging and supporting him in bringing other young Indian students to the country. Hitler’s coming to power put an end to all that, and on Thea von Harbou’s advice, Tendulkar return...
Thea von Harbou's classic was the basis for the screenplay for Fritz Lang's groundbreaking 1926 science fiction epic of the same name. This edition of the novel is "stillustrated" with scenes from the film.
Providing a broad range of materials and resources for the study of Fritz Lang's classic film Metropolist (1972), this volume includes both standard critical essays and contributions appearing for the first time.
The mysterious, fabulously wealthy Maharajah of Eschnapur kidnaps famous architect Michael F�rbringer and offers him unlimited resources to build a tomb to exceed the grandeur of the Taj Mahal. But the calculating, all-powerful prince is not what he seems, and the commission is actually the centerpiece of a diabolical murder plot. An unwilling journey into the heart of darkness begins F�rbringer's descent into a sinister, dream-like India, where he is imprisoned in a labyrinthine palace full of dark secrets and is ultimately forced to run for his life.Although filmed three times, Thea von Harbou's mystery-suspense-fantasy is presented here in English for the first time since its original publication in 1918.
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The name of Fritz Lang—the visionary director of Metropolis, M, Fury, The Big Heat, and thirty other unforgettable films—is hallowed the world over. But what lurks behind his greatest legends and his genius as a filmmaker? Patrick McGilligan, placed among “the front rank of film biographers” by the Washington Post, spent four years in Europe and America interviewing Lang’s dying contemporaries, researching government and film archives, and investigating the intriguing life story of Fritz Lang. This critically acclaimed biography—lauded as one of the year’s best nonfiction books by Publishers Weekly—reconstructs the compelling, flawed human being behind the monster with the monocle.
Vorwort - I. Sharp: Women and Weimar Berlin - C. Ujma: Theories of Masculinity and the Avant-Garde - T. Elsaesser: The Camera in the Kitchen: Grete Schütte-Lihotsky and Domestic Modernity - A. Baumhoff: Women in the Bauhaus: Gender Issues in Weimar Culture - D. Rowe: Painting herself. Lotte Laserstein between subject and object - U. Seiderer: Between Minor Sculpture and Promethean Creativity. The Position of Käthe Kollwitz in Weimar's Discourse on Art - C. Finnan: Photographers between Challenge and Conformity. Yva's Career and Ruvre - K. Bruns: Thea von Harbou. Writing Skills and Film Aesthetics - J. Trimborn: Leni Riefenstahl's Career before Hitler: Success-stories of an Outsider - C. Sc...
Two young poets, Jan and Remo, find themselves adrift in Mexico City. Obsessed with poetry, and, above all, with science fiction, they are eager to forge a life in the literary world. But as close as these friends are, the city tugs them in opposite directions. Jan withdraws from the world, shutting himself in their shared rooftop apartment where he feverishly composes fan letters to the stars of science fiction. Meanwhile, Remo runs head-first into the future, spending his days and nights with a circle of wild young writers, seeking pleasure in the city’s labyrinthine streets, rundown cafes, and murky bathhouses. TRANSLATED BY NATASHA WIMMER ‘Fascinating... Achingly beautiful... It reads like a dispatch from beyond the grave’ New Yorker ‘The Spirit of Science Fiction functions as a kind of key to the jewelled box of Bolaño’s fictions... A cocktail of sorrow and ecstasy’ Paris Review