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Peek behind the curtains of London's iconic theatres with acclaimed actor Simon Callow as your personal guide. This richly illustrated exploration of the most remarkable London theatres features witty and engaging texts by actor Simon Callow, whose knowledge of the city's dramatic venues is intimate and wide-ranging. One of the most prominent photographers of the past 50 years, Derry Moore, captures the theatres from every angle, whether it's a velvet box seat at the Novello, the view from the Theatre Royal, Haymarket's proscenium, or the grand entrance of the foyer in the Apollo Victoria. Exquisite close-ups of architectural elements--such as flamboyant Rococo Baroque friezes, William Edward Trent's Art Deco mermaids, painted marble pilasters, and elaborately framed mirrors--highlight often unnoticed features and present each theatre's unique character. From the West End to the South Bank, Westminster to Hackney, the theatres profiled here come to life in ways we rarely see, when the seats are empty and the stages silent.
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A practical handbook that combines a critical analysis of contemporary devised theatre practice with descriptions of selected companies, and suggestions for any group devising theatre from scratch.
In this book, Claire Cochrane maps the experience of theatre across the British Isles during the twentieth century through the social and economic factors which shaped it. Three topographies for 1900, 1950 and 2000 survey the complex plurality of theatre within the nation-state which at the beginning of the century was at the hub of world-wide imperial interests and after one hundred years had seen unprecedented demographic, economic and industrial change. Cochrane analyses the dominance of London theatre, but redresses the balance in favour of the hitherto marginalised majority experience in the English regions and the other component nations of the British political construct. Developments arising from demographic change are outlined, especially those relating to the rapid expansion of migrant communities representing multiple ethnicities. Presenting fresh historiographic perspectives on twentieth-century British theatre, the book breaks down the traditionally accepted binary oppositions between different sectors, showing a broader spectrum of theatre practice.
Derived from The Cambridge guide to theatre_
A scholarly look at 4,500 years of theater, beginning with its Greek origins and concluding with a study of theater since 1970.
This book explores British illegitimate theatre towards the end of the eighteenth century.