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Roger is a down-to-earth builder type, Judy is the harassed single mother of four teenage boys, and Thelma is a librarian who usually looks as though she's been sitting on a wasps' nest for most of her life. Neville is on the lookout for a woman (any woman will do), and Julian just wants to be young again. Edie is the wrong side of 70, and Roz is a size zero fitness queen. These characters, together with one very overweight Alice, all meet up for the first time at their local Pilates class. Petra, the class instructor, has no idea what she has let herself in for!
This book tackles the historical relationship between colonial violence and monuments in Africa, Europe, the Indian subcontinent, North America, and Australia. In this volume, the authors ask similar questions about monuments in each location and answer them following a parallel structure that encourages comparison, highlighting common themes. The chapters track the contested histories of monuments, scrutinizing their narrative power and examining the violent events behind them. It is both about the history of monuments and the histories the monuments are meant to commemorate. It is interested in this nuanced relationship between violence, monuments, memory, and colonial legacies; the ways d...
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DigiCat Publishing presents to you this special edition of "Thelma" by Marie Corelli. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
An in-depth look at the evolving ethos of curating and collecting art at South African universities. In Picturing Change, Brenda Schmahmann explores the implications of deploying the visual domain in the service of transformative agendas and unpacks the complexities, contradictions and slippages involved in this process. She shows that although most new commissions have been innovative, some universities have acquired works with potentially traditionalist - even backward-looking - implications. While the motives behind removing inherited imagery may be underpinned by a desire to unsettle white privilege, in some cases such actions can also serve to maintain the status quo. This book is uniqu...
On June 28th, 1952, the first edition of a programme especially for women was broadcast on the SABC. It was called 'Woman's World'. These were the days when the presenter would wear a hat and gloves to go down to the Union Castle mail ships to scoop her story.