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Despite challenges by the federal government to restrict the use of peyote, the Native American Church, which uses the hallucinogenic cactus as a religious sacrament, has become the largest indigenous denomination among American Indians today. The Peyote Road examines the history of the NAC, including its legal struggles to defend the controversial use of peyote. Thomas C. Maroukis has conducted extensive interviews with NAC members and leaders to craft an authoritative account of the church’s history, diverse religious practices, and significant people. His book integrates a narrative history of the Peyote faith with analysis of its religious beliefs and practices—as well as its art and...
The early twentieth-century roots of modern American Indian protest and activism are examined in We Are Not a Vanishing People. It tells the history of Native intellectuals and activists joining together to establish the Society of American Indians, a group of Indigenous men and women united in the struggle for Indian self-determination.
In Peyote and the Yankton Sioux, Thomas Constantine Maroukis focuses on Yankton Sioux spiritual leader Sam Necklace, tracing his family’s history for seven generations. Through this history, Maroukis shows how Necklace and his family shaped and were shaped by the Native American Church. Sam Necklace was chief priest of the Yankton Sioux Native American Church from 1929 to 1949, and the four succeeding generations of his family have been members of the Church. As chief priest, Necklace helped establish the Peyote religion firmly among the Yankton, thus maintaining cultural and spiritual autonomy even when the U.S. government denied them, and American Indians generally, political and economic self-determination. Because the message of peyotism resonated with Yankton pre-reservation beliefs and, at the same time, had parallels with Christianity, Sam Necklace and many other Yankton supported its acceptance. The Yanktons were among the first northern-plains groups to adopt the Peyote religion, which they saw as an essential corpus of spiritual truths.
Readers of Implication will come away convinced that all art—regardless of historical period, context, genre, or medium—has an ecological connection to the world in which it was created Ecocriticism is an interdisciplinary mode of inquiry that examines the environmental significance of art, literature, and other creative endeavors. In Implication: An Ecocritical Dictionary for Art History, Alan C. Braddock, a pioneer in art historical ecocriticism, presents a fascinating group of key terms and case studies to demonstrate that all art is ecological in its interconnectedness with the world. The book adopts a dictionary-style format, although not in a conventional sense. Drawing inspiration...
Zitkala-Ša: Letters, Speeches, and Unpublished Writings, 1898–1929, edited by Tadeusz Lewandowski, offers a fascinating, intimate portrait of the Yankton Sioux writer and activist Gertrude Simmons Bonnin (1876–1938). Gertrude Bonnin, better known by her Lakota name, Zitkala-Ša, was one of the most prominent American Indians of the early 20th century. A talented writer, orator, and musician, she devoted much of her life to the protection of Native peoples. As such, Bonnin corresponded with many other distinguished persons within the early Native rights movement, including Carlos Montezuma, Richard Henry Pratt, and Arthur C. Parker, as well as Fathers Martin Kenel and William H. Ketcham of the Bureau of Catholic Indian Missions. This volume gathers together Bonnin’s letters, lesser-known writings and speeches, illuminating her private and public struggles.
The use of horses has perhaps most dramatically shaped the way of life for Native American tribes in the Plateau and Plains regions of North America, but the practices and traditions of both culture areas date back to a time long before Europeans ever touched American shores, introducing their animals and customs to the continents indigenous peoples. This captivating volume examines the history and cross-cultural interactions that came to be associated with the peoples of the Plateau and the changing settlement patterns of the Plains peoples, as well as the cultural, social, and spiritual practices that have defined the major tribes of each region.
During the nineteenth century, Anglo-Americans inflicted cultural and economic devastation on Native people. The fight over Indian Country sparked spiritual crises for both Natives and Settlers. In the end, the experience of intercultural encounter and conflict over land produced religious transformations on both sides.
After centuries of colonization, this important new work recovers the literary record of Oceti Sakowin (historically known to some as the Sioux Nation) women, who served as their tribes’ traditional culture keepers and culture bearers. In so doing, it furthers discussions about settler colonialism, literature, nationalism, and gender. Women and land form the core themes of the book, which brings tribal and settler colonial narratives into comparative analysis. Divided into two parts, the first section of the work explores how settler colonizers used the printing press and boarding schools to displace Oceti Sakowin women as traditional culture keepers and culture bearers with the goal of internally and externally colonizing the Dakota, Nakota, and Lakota nations. The second section focuses on decolonization and explores how contemporary Oceti Sakowin writers and scholars have started to reclaim Dakota, Nakota, and Lakota literatures to decolonize and heal their families, communities, and nations.
Pray and meditate along with mystics and saints through this luminous collection of more than one hundred block prints by artist Kreg Yingst, curator of the beloved Instagram account @psalmprayers. Teresa of Ávila, Howard Thurman, Black Elk, Fannie Lou Hamer, Simon of Cyrene, and Jarena Lee: through radiant woodblock prints of these and other icons of the faith, artist Kreg Yingst ushers us into God's presence. In Everything Could Be a Prayer, mystics who have communed with God and who worked for justice, mercy, and liberation come alive. Yingst carves images onto blocks of wood or linoleum and then inks and prints them on paper. The resplendent portraits of mystics and justice-seekers that...
The Lakȟóta are among the best-known Native American peoples. In popular culture and even many scholarly works, they were once lumped together with others and called the Sioux. This book tells the full story of Lakȟóta culture and society, from their origins to the twenty-first century, drawing on Lakȟóta voices and perspectives. In Lakȟóta culture, “listening” is a cardinal virtue, connoting respect, and here authors Rani-Henrik Andersson and David C. Posthumus listen to the Lakȟóta, both past and present. The history of Lakȟóta culture unfolds in this narrative as the people lived it. Fittingly, Lakhota: An Indigenous History opens with an origin story, that of ...