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Untitled. Thomas Gentille. American Jewelry
In the late 1950s Thomas Gentille was the first to use novel combinations of plastic, aluminium, wood, papier mâché, sawdust, silk, glass and air - instead of gold, silver and precious stones. His pieces are one-offs, which are often unique in their closeness to sculpture and architecture. A remarkable feature is the 'eggshell' technique Gentille has developed, with which he creates astonishing crackle effects. With more than 180 jewellery objects and drawings, the present publication represents the first comprehensive overview of his life's work.
Thomas Gentille
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Step-by-step Jewelry
Provides instruction in the processes and techniques of making jewelry and provides step-by-step directions for ten projects.
Thomas Gentille
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In the Vanguard
In the Vanguard: Haystack Mountain School of Crafts, 1950–1969 traces the first two decades of the Haystack Mountain School of Craft’s history and its pivotal impact on the world of art and craft practice in the United States during the mid-twentieth century. The first scholarly investigation of this internationally renowned school, the exhibition, and the accompanying catalogue will feature work made at Haystack or influenced by time spent there by some of the most highly recognized names in the fields of fiber, glass, ceramics, jewelry, and graphic arts to demonstrate the school’s significant role in debates about art, craft, industry, and pedagogy in the United States during the 195...
One of a Kind
"Jewelry as art is America's most provocative current art form. This is jewelry that must be evaluated, like fine art, for its ideas, inventions, intuitions, and content rather than for its precious materials or conformity to tradition. Yet it is art that can be worn, and as such has a unique advantage over all other mediums in its direct contact with the body, giving it an engaging intimacy." "Since World War II, the field of art jewelry has bloomed prodigiously, thanks to the talents of a richly diverse group of practitioners who have explored the range of the art and the possibilities of the craft. Here, Susan Grant Lewin profiles 54 of the best artist/jewelers among a growing number who ...
The Victoria and Albert Museum
A comprehensive bibliography and exhibition chronology of the world's greatest museum of the decorative arts and design. The Victoria and Albert Museum, or South Kensington Museum as it used to be known, was founded by the British Government in 1852, out of the proceeds from the Great Exhibition of 1851. Like the Exhibition, it aimed to improve the expertise of designers, and the taste of the public, by exposing them to examples of good design from all countries and periods. 2,500 publications have to date been produced by, for, or in association with the V&A. The National Art Library, which is part of the Museum, has prepared this detailed catalogue, supplemented by a secondary list of 500 other books closely related to the V&A. The 1,500 exhibitions and displays recorded include those held in the main Museum and at its branches, the Bethnal Green Museum (now the National Museum of Childhood) and the Theatre Museum, Covent Garden, and additionally those it has organized at external venues, in Great Britain and abroad. The exhibitions and publications are fully cross-referenced, and there are name, title and subject indexes to the whole work, as well as an explanatory introduction.
Unique by Design
A notable collection of 20th-century studio jewelry in various media and styles is the subject of this dazzling catalogue, which reframes these works within the context of contemporary art.
Ornament
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