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This is a biographical and historical account of the recording of David Bowie's albums 'Low', ''Heroes'' and 'Lodger'. Set against the backdrop of post-war Berlin it features a cast of characters including Iggy Pop, Kraftwerk and Robert Fripp. It also looks at the influence Bowie's 'Berlin Trilogy' has exerted on other musicians.
By the end of 1968 Presley was artistically revitalised, re-emerging in a TV comeback special during December that year, slimmed down for the now iconic black leather suit, playing country-soul influenced rock like he meant it and loved it. In this second period of Presley's career, which lasted through to the end of 1970, he recorded some of his most enduring records, including "Suspicious Minds" and "In The Ghetto". Author Gillian Gaar shows how Presley reclaimed his rock and roll crown, making an extraordinary transition from fading balladeer to an engaged, vital artist.
On any given day, the remains of countless deceased migrants are shipped around the world to be buried in ancestral soils. Others are laid to rest in countries of settlement, sometimes in cemeteries established for religious and ethnic minorities, where available. For immigrants and their descendants, perennial questions about the meaning of home and homeland take on a particular gravitas in death. When the boundaries of a nation and its members are contested, burial decisions are political acts. Building on multi-sited fieldwork in Berlin and Istanbul – where the author worked as an undertaker – Dying Abroad offers a moving and powerful account of migrants' end-of-life dilemmas, vividly illustrating how they are connected to ongoing political struggles over the stakes of citizenship, belonging, and collective identity in contemporary Europe.
Culture from the Slums explores the history of punk rock in East and West Germany during the 1970s and 1980s. These decades witnessed an explosion of alternative culture across divided Germany, and punk was a critical constituent of this movement. For young Germans at the time, punk appealed to those gravitating towards cultural experimentation rooted in notions of authenticity-endeavors considered to be more 'real' and 'genuine.' Adopting musical subculture from abroad and rearticulating the genre locally, punk gave individuals uncomfortable with their societies the opportunity to create alternative worlds. Examining how youths mobilized music to build alternative communities and identities...
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We live in angry times. No matter where we go, what we watch, or how we communicate, our culture is rife with division and polarization. Unfortunately, Christians appear to be caught up in the same animosity as the culture at large. While our faith calls us to Christian unity, the hard fact remains: our churches are tragically divided across class, ethnic, gender, and political lines. As these social chasms grow--both inside and outside the church--the role of the preacher becomes paramount. This book issues a prophetic call to pastors to use the influence of their pulpits to promote reconciliation and unity in their churches and communities. Two scholar-practitioners who are experts in homiletics and reconciliation present a practical, 7-step model that empowers faithful leaders to bring healing and peace to their fractured churches and world. The book includes questions for reflection, salient illustrations, and an accountability covenant. It also includes useful appendixes on preaching themes, preaching texts, and sample sermons from three leading preachers: Ralph Douglas West, Rich Villodas, and Sandra Maria Van Opstal.
What is the soundtrack for a nuclear war? During the Cold War, over 500 songs were written about nuclear weapons, fear of the Soviet Union, civil defense, bomb shelters, McCarthyism, uranium mining, the space race, espionage, the Berlin Wall, and glasnost. This music uncovers aspects of these world-changing events that documentaries and history books cannot. In Atomic Tunes, Tim and Joanna Smolko explore everything from the serious to the comical, the morbid to the crude, showing the widespread concern among musicians coping with the effect of communism on American society and the threat of a nuclear conflict of global proportions. Atomic Tunes presents a musical history of the Cold War, analyzing the songs that capture the fear of those who lived under the shadow of Stalin, Sputnik, mushroom clouds, and missiles.
David Bowie and Romanticism evaluates Bowie’s music, film, drama, and personae alongside eighteenth- and nineteenth-century poets, novelists, and artists. These chapters expand our understanding of both the literature studied as well as Bowie’s music, exploring the boundaries of reason and imagination, and of identity, gender, and genre. This collection uses the conceptual apparata and historical insights provided by the study of Romanticism to provide insight into identity formation, drawing from Romantic theories of self to understand Bowie’s oeuvre and periods of his career. The chapters discuss key themes in Bowie’s work and analyze what Bowie has to teach us about Romantic art and literature as well.