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Since the modern period, the field of biblical studies has relied upon libraries, museums, and archives for its evidentiary and credentialing needs. Yet, absent in biblical scholarship is a thorough and critical examination of the instrumentality of the discipline’s master archives for elite power structures. Addressing this gap in biblical scholarship lies central to this book. Interrogated here is a premier repository or master archive of the discipline: the British Museum. Using an assemblage of critical theories from archival discourse to postcolonial studies, space theory to governmentality studies, the focal point of this book is at the intersections of the Museum’s rise to scientific prominence, the British Empire, and the conferring of scientific authority to modern biblical critics in the nineteenth century. Gregory L. Cuéllar initiates a season of historicization of the master archives of biblical studies and archival criticism.
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Volume XXVII/2 of History of Universities contains the customary mix of learned articles and book reviews which makes this publication such an indispensable tool for the historian of higher education. The volume is, as always, a lively combination of original research and invaluable reference material.
This volume addresses and problematizes the formation and transformation of the ancient Near Eastern art historical and archaeological canon. The 'canon' is defined as an established list of objects, monuments, buildings, and sites that are considered to be most representative of the ancient Near East. In "testing" this canon, this project takes stock of the current canon, its origins, endurance, and prospects. Boundaries and typologies are examined, technologies of canon production are investigated, and heritage perspectives on contemporary culture offer a key to the future.