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Ancient Near Eastern Art in Context
Through her published works and in the classroom, Irene J. Winter has served as a mentor for the latest generation of scholars of Mesopotamian visual culture. The various contributions to this volume in her honor represent a cross section of the state of scholarship today. Topics by the twenty authors include palatial and temple architecture, royal sculpture, gender in the ancient Near East, and interdisciplinary studies that range from the fourth millennium BCE to modern ethnography and cover Sumer, Assyria, Babylonia, Iran, Syria, Urartu, and the Levant. Reflections on Winter's scholarship and teaching accompany her bibliography. The volume will be useful for scholars who are curious about how visual culture is being used to study the ancient Near East.
Social Justice from Outside the Walls
Social Justice from Outside the Walls: Catholic Women in Memphis, 1950–1970 by Ann Youngblood Mulhearn examines the intersections of faith, race, and gender within the social justice movements in twentieth-century Memphis, Tennessee. Weaving together the biographies of six Catholic women and drawing upon the activists’ own published writing and personal interviews, this book disrupts assumptions that racial and social justice was primarily a Protestant concern. Motivated by the tenets of their Catholic faith, these women, both Black and white, used existing social, political, and religious organizations to further the causes of racial and social justice. When these structures were not av...
The Celebration of the One Hundred and Fiftieth Anniversary of the Reformed Church, Montgomery, Orange Co., N.Y.
Reprint of the original, first published in 1882.
General Register
Announcements for the following year included in some vols.
Testing the Canon of Ancient Near Eastern Art and Archaeology
This volume addresses and problematizes the formation and transformation of the ancient Near Eastern art historical and archaeological canon. The 'canon' is defined as an established list of objects, monuments, buildings, and sites that are considered to be most representative of the ancient Near East. In "testing" this canon, this project takes stock of the current canon, its origins, endurance, and prospects. Boundaries and typologies are examined, technologies of canon production are investigated, and heritage perspectives on contemporary culture offer a key to the future.
The Autobiography of a Garden
"The autobiography of a garden is a set of twelve plates by Andrew Raftery. Based on drawings and paintings of the artist working in his garden during the twelve months of the calendar year, the images were engraved on copperplates. From the copper they were printed onto special decals that were then applied to the twelve earthenware plates, 12.5 inches in diameter, designed by the artist to receive the images. Each month is identified on the reverse by an engraved backstamp. The plates were produced at the Rhode Island School of Design between 2012 and 2016 in an edition of 80. They were first exhibited from September through November 2016 at the Ryan Lee Gallery in New York City."--page [1].
House documents
None
Sacred Landscapes in Antiquity
From generation to generation, people experience their landscapes differently. Humans depend on their natural environment: it shapes their behavior while it is often felt that deities responsible for both natural benefits and natural calamities (such as droughts, famines, floods and landslides) need to be appeased. We presume that, in many societies, lakes, rivers, rocks, mountains, caves and groves were considered sacred. Individual sites and entire landscapes are often associated with divine actions, mythical heroes and etiological myths. Throughout human history, people have also felt the need to monumentalize their sacred landscape. But this is where the similarities end as different soc...
