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Theological Quodlibeta in the Middle Ages: The Fourteenth Century
This is the second of two volumes on theological quodlibeta, records of special disputations held before Christmas and Easter ca. 1230-1330, mostly at the University of Paris, in which audience members asked the great masters of theology the questions for debate, questions de quolibet, “about anything.” The variety of the material and the authors’ stature make the genre uniquely fascinating. In Volume II, chapters by acknowledged experts cover the quodlibeta of John Duns Scotus, Peter Auriol, John of Pouilly, Peter of Auvergne, and Thomas Wylton; examine the pertinent writings of the religious orders, including the monks, canons regular, and mendicants; revise our understanding of important manuscripts containing quodlibeta; offer critical editions of significant texts; and demonstrate how these writings are crucial for our knowledge of the history of topics in metaphysics and natural philosophy. For all those interested in medieval studies, especially intellectual history.
The Expressionist Turn in Art History
During the period in which Expressionist artists were active in central Europe, art historians were producing texts which also began to be characterized evocatively as ?expressionist?, yet the notion of an expressionist art history has yet to be fully explored in historiographic studies of the discipline. This anthology offers a cross-section of noteworthy art history texts that have been described as expressionist, along with critical commentaries by an international group of scholars. Written between 1912 and 1933, the primary sources have been selected from the published scholarship of both recognized and less-familiar figures in the field's Germanic tradition: Wilhelm Worringer, Fritz Burger, Ernst Heidrich, Max Dvor? Heinrich W?lfflin, and Carl Einstein. Translated here for the first time, these examples of an expressionist turn in art history, along with their secondary analyses and the book's introduction, offer a productive lens through which to re-examine the practice and theory of art history in the early twentieth century.
Theological Quodlibeta in the Middle Ages
The second of two volumes on special theological disputations from ca. 1230-1330 in which audience members asked the era's greatest intellectuals questions de quolibet, "about anything." The variety of the material and the authors' stature make the genre uniquely fascinating.
Division III of Heidegger's Being and Time
"Heidegger's Being and Time" is one of the most influential and important books in the history of philosophy, but it was left unfinished. The parts we have of it, Divisions I and II of Part One, were meant to be merely preparatory for the unwritten Division III, which was to have formed the point of the entire book when it turned to the topic of being itself. In this book, leading Heidegger scholars and philosophers influenced by Heidegger take up the unanswered questions in Heidegger's masterpiece, speculating on what Division III would have said, and why Heidegger never published it. The contributors' task--to produce a secondary literature on a nonexistent primary work--seems one out of f...
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Intellectual Traditions at the Medieval University
This book presents an overview of the later medieval trinitarian theology of the rival Franciscan and Dominican intellectual traditions, and includes detailed studies of thinkers such as Thomas Aquinas, Henry of Ghent, John Duns Scotus, William Ockham, and Gregory of Rimini.
