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Although the colonies in the West Indies were as important to the expanding British empire as those in North America, writings from the British West Indies have been conspicuously absent from anthologies of seventeenth- and eighteenth-century British literature. In this first literary anthology dedicated to the region, Thomas W. Krise gathers important but little-known descriptions, poems, narratives, satires, and essays written in and about this culturally rich and politically tempestuous region. Caribbeana offers invaluable period commentaries on slavery, colonialism, gender relations, African and European history, natural history, agriculture, and medicine. Highlights include several of the earliest protests against slavery; a superb ode by the Cambridge-educated Afro-Jamaican poet Francis Williams; James Grainger's extended georgic poem, The Sugar Cane; Frances Seymour's poignant tale of the Englishman Inkle who sells his Indian savior-lover Yarico into slavery; and several descriptions of the West Indies during the early years of settlement.
This volume explores Caribbean literature from 1800-1920 across genres and in the multiple languages of the Caribbean.
Expanding upon the 2017 Radio 4 series ‘Britain’s Black Past’, this book presents those stories and analyses through the lens of a recovered past. Even those who may be familiar with some of the materials will find much that they had not previously known, and will be introduced to people, places, and stories brought to light by new research. In a time of international racial unrest and migration, it is important not to lose sight of similar situations that took place in an earlier time. In chapters written by scholars, artists, and independent researchers, readers will learn of an early musician, the sales of slaves in Scotland, the grave—now a shrine—of a black enslaved boy left to die in Morecombe Bay, of a country estate owned by a mixed-race slave owner, and of the two strikingly different people who lived in a Bristol house that is now a museum. Black sailors, political activists, memoirists, appear in these pages, but the book also re-examines living history, in the form of modern plays, television programmes, and genealogical sleuthing. Through them, Britain’s Black Past is not only presented anew, but shown to be very much alive in our own time.
In the 1600s, over 350,000 intrepid English men, women, and children migrated to America, leaving behind their homeland for an uncertain future. Whether they settled in Jamestown, Salem, or Barbados, these migrants-entrepreneurs, soldiers, and pilgrims alike-faced one incontrovertible truth: England was a very, very long way away.In Between Two Worlds, celebrated historian Malcolm Gaskill tells the sweeping story of the English experience in America during the first century of colonization. Following a large and varied cast of visionaries and heretics, merchants and warriors, and slaves and re.
Hip hop is a global form of creative expression. In Cuba, Brazil, and Haiti, rappers refuse the boundaries of hip hop’s US genesis, claiming the art form as a means to empower themselves and their communities in the face of postcolonial racial and class violence. Despite the geographic and linguistic borders that separate these artists, Charlie Hankin finds in their music and lyrics a common understanding of hip hop’s capacity to intervene in the public sphere and a shared poetics of neighborhood, nation, and transatlantic yearnings. Situated at the critical intersection of sound studies and Afro-diasporic poetics, Break and Flow draws on years of ethnographic fieldwork and collaboration, as well as an archive of hundreds of songs by more than sixty hip hop artists. Hankin illuminates how new media is used to produce and distribute knowledge in the Global South, refining our understanding of poetry and popular music at the turn of the millennium.
Explores the Enlightenment in the brutal slave societies of the colonial French and British Caribbean before the Haitian Revolution.
Uniting critical writing on novels, poetry, painting, and ritual, this volume takes a regional approach to the cultures of the Caribbean Basin. Ranging across the linguistic spectrum of the area, it examines cultural production from the Anglophone, Francophone, and Hispanophone islands, Suriname and the Guyanas, and 'Latin' and Central America. The interdisciplinary nature of the collection and the challenge it poses to the balkanization of the region within academic discourse will make it of especial interest to students and scholars of the Caribbean. Inspired by the category of the 'Other America' as developed by Édouard Glissant, the book offers a series of original and stimulating engag...
This book offers the first in-depth treatment of Jewish images of and behavior toward Blacks during the period of peak Jewish involvement in Atlantic slave-holding.