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Richard Wagner is remembered as one of the most influential figures in music and theatre, but his place in history has been marked by a considerable amount of controversy. His attitudes towards the Jews and the appropriation of his operas by the Nazis, for example, have helped to construct a historical persona that sits uncomfortably with modern sensibilities. Yet Wagner's absolutely central position in the operatic canon continues. This volume serves as a timely reminder of his ongoing musical, cultural, and political impact. Contributions by specialists from such varied fields as musical history, German literature and cultural studies, opera production, and political science consider a range of topics, from trends and problems in the history of stage production to the representations of gender and sexuality. With the inclusion of invaluable and reliably up-to-date biographical data, this collection will be of great interest to scholars, students, and enthusiasts.
As never before or since, Richard Wagner's name dominated American music-making at the close of the nineteenth century. Europe, too, was obsessed with Wagner, but—as Joseph Horowitz shows in this first history of Wagnerism in the United States—the American obsession was unique. The central figure in Wagner Nights is conductor Anton Seidl (1850-1898), a priestly and enigmatic personage in New York musical life. Seidl's own admirers included the women of the Brooklyn-based Seidl Society, who wore the letter "S" on their dresses. In the summers, Seidl conducted fourteen times a week at Brighton Beach, filling the three-thousand-seat music pavilion to capacity. The fact that most Wagnerites ...
This volume is the eighth in the Intelligent Agents series associated with the ATAL workshops. These workshops on “Agent Theories, Architectures, and L- guages” have established themselves as a tradition, and play the role of small but internationally well-known conferences on the subject, where besides theory per se also integration of theory and practice is in focus. Speci?cally, ATAL - dresses issues of theories of agency, software architectures for intelligent agents, methodologies and programming languages for realizing agents, and software tools for applying and evaluating agent-based systems. ATAL 2001 featured two special tracks in which both the more theoretical / formal and the...
Caryl Hopson and Susan R. Perkins collect historic narratives of murder and mayhem in Herkimer County. Herkimer County is steeped in history, from the settlement of the Mohawk Valley by Palatine German settlers to the flood of western migration with the opening of the Erie Canal. But the region also boasts an infamous history of high-profile homicides and crimes. Roxalana Druse murdered her abusive husband and became the last woman to be hanged in New York in 1887. The death of Grace Brown on scenic Big Moose Lake became one of the most famous cases in the country in 1906, inspiring author Theodore Dreiser's novel An American Tragedy. Psychological tests of intelligence were admitted into court for the first time in an acquittal of sixteen-year-old Jean Gianini in 1914.
Since the 1840s, critics have lambasted Wagner for lacking the ability to compose melody. But for him, melody was fundamental - 'music's only form'. This incongruity testifies to the surprising difficulties during the nineteenth century of conceptualizing melody. Despite its indispensable place in opera, contemporary theorists were unable even to agree on a definition for it. In Wagner's Melodies, David Trippett re-examines Wagner's central aesthetic claims, placing the composer's ideas about melody in the context of the scientific discourse of his age: from the emergence of the natural sciences and historical linguistics to sources about music's stimulation of the body and inventions for 'automatic' composition. Interweaving a rich variety of material from the history of science, music theory, music criticism, private correspondence and court reports, Trippett uncovers a new and controversial discourse that placed melody at the apex of artistic self-consciousness and generated problems of urgent dimensions for German music aesthetics.
Modeling Software with Finite State Machines: A Practical Approach explains how to apply finite state machines to software development. It provides a critical analysis of using finite state machines as a foundation for executable specifications to reduce software development effort and improve quality. It discusses the design of a state machine and of a system of state machines. It also presents a detailed analysis of development issues relating to behavior modeling with design examples and design rules for using finite state machines. This text demonstrates the implementation of these concepts using StateWORKS software and introduces the basic components of this software.
Ever since the first edition of Ligotti's "Songs of a Dead Dreamer" appeared in 1985, it was clear that here was an author of extraordinary brilliance. Now here is a book about him, a symposium of explorations and examinations of the Ligottian universe by leading critics.