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Enth.: Bd. 1-2: Colonial Latin America ; Bd. 3: From Independence to c. 1870 ; Bd. 4-5: c. 1870 to 1930 ; Bd. 6-10: Latin America since 1930 ; Bd. 11: Bibliographical essays.
Capitalism and its Discontents presents a series of interpretative essays on a number of key modern and contemporary Latin American novels and films. The overarching theme in the essays is the relation between such textual materials and their regional contexts.
A transnational analysis with an emphasis on gender examines the work of women writers from both sides of the border writing in Spanish, English, or a mixture of the two languages whose work questions the accepted notions of border identities.
Focusing on a particular area of the U.S.-Mexico border, Ciudad Juarez -- El Paso, Ethnography at the Border brings out the complexity of the border experience through the voices of the diverse people who inhabit the region. In a series of essays that investigate specific aspects of border existence, the contributors provide rich and detailed insights into such topics as life in illegal subdivisions, called colonias, in Texas; the experience of actually crossing the bridge between El Paso and Ciudad Juarez; the impact of Operation Blockade on illegal crossings; the controversy surrounding the El Paso Border Patrol's proposal for a border wall in Sunland Park; the paradoxes of making "American products" using Mexican workers; and the relevance of grassroots efforts, environmental problems, and the multiple meanings of "Mexican." The final chapter offers a critique of the all too metaphorical border often depicted by cultural studies. Book jacket.
This edited volume offers a wide-ranging picture of Argentine women filmmakers’ contribution to the film industry from the 1980s to the present by bringing together the work of highly acclaimed and emerging directors. Through thirteen critical essays by leading scholars in the field of Argentine cinema, the book acknowledges that contemporary women filmmakers have transformed the cinema of Argentina by questioning, challenging and debunking hegemonic patriarchal systems of representation. With a focus on women’s voices and experiences, the contributions redress both the under-representation of women and girls onscreen and the perpetuation of stereotypes, while exploring the innovative aesthetics used by these filmmakers.
This book provides an historical overview of the formation of sports media in Latin America and its role in the construction of the political history of Latin American sport. The sports press was a privileged observer of the development of modern sports, but it was also a key factor in the making of professional sports in Latin America. Most of the literature on sport in Latin America treats the sports press as an historical source, rarely taking it as an object of study in itself. However, the development of sports in the region is connected to national and state-building processes and the role of media narratives is crucial to understanding how sports participate in those processes. Spanni...
Through an analysis of Cold War Era films including Border Incident , Where Danger Lives , and Touch of Evil , Stephanie Fuller illustrates how cinema across genres developed an understanding of what the U.S.-Mexico border meant within the American cultural imaginary and the ways in which it worked to produce the border.
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This chronicle of contemporary life south of the Rio Grande ranges over pop music, Latino hip hop, film stars such as Cantinflas and Dolores del Rio, the writer Juan Rulfo, life on the border with the United States, boleros and melodrama.
This local study of the impact of political violence on a Maya Indian village is based on intensive fieldwork in the department of El Quiche, Guatemala, during 1988-1990. It examines the processes of fragmentation and realignment in a community undergoing rapid and violent change and relates local, social, cultural, and psychological phenomena to t