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The land comprising the village of Morton Grove holds stories of American Indian villages, European settlement, and diverse ethnic groups. Features attracting people to this land are visible throughout the forest preserves, where remnants of woodlands, prairies, and the North Branch of the Chicago River exist today. Following the Treaty of Chicago in 1833, early settlers utilized energy generated by damming the river to power Miller's Mill and harvested timber from the rich woodlands. Fertile prairie soils attracted truck farmers in the 1840s, and the floral industry boomed once tracks were laid for the Chicago, Milwaukee & St. Paul Railway Company in 1872. This whistle stop was named for Levi Parsons Morton, an official of the railroad and vice president of the United States from 1889 to 1893 under Benjamin Harrison. Morton Grove became well known for its pickle companies, prize-winning roses, airfields, and roadhouses.
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In words and photographs, Illini Legends, Lists and Lore allows fans to experience the thrills and drama of University of Illinois athletics history. Each chapter reveals the complete history of the Fighting Illini, including the most memorable athletes and events and a treasure chest of trivia and facts about the university's non-athletic history. Also included is a complete listing of Illinois' more than 7000 letter winners, as well as year-by-year summaries of all of the UI's varsity sports teams and a history of coaches and administrators who have worked behind the scenes.
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically chan...