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The Truth about Romanticism
How have our conceptions of truth been shaped by romantic literature? This question lies at the heart of this examination of the concept of truth both in romantic writing and in modern criticism. The romantic idea of truth has long been depicted as aesthetic, imaginative and ideal. Tim Milnes challenges this picture, demonstrating a pragmatic strain in the writing of Keats, Shelley and Coleridge in particular, that bears a close resemblance to the theories of modern pragmatist thinkers such as Donald Davidson and Jürgen Habermas. Romantic pragmatism, Milnes argues, was in turn influenced by recent developments within linguistic empiricism. This book will be of interest to readers of romantic literature, but also to philosophers, literary theorists, and intellectual historians.
Knowledge and Indifference in English Romantic Prose
This 2003 study sheds light on the way in which the English Romantics dealt with the basic problems of knowledge, particularly as they inherited them from the philosopher David Hume. Kant complained that the failure of philosophy in the eighteenth century to answer empirical scepticism had produced a culture of 'indifferentism'. Tim Milnes explores the way in which Romantic writers extended this epistemic indifference through their resistance to argumentation, and finds that it exists in a perpetual state of tension with a compulsion to know. This tension is most clearly evident in the prose writing of the period, in works such as Wordsworth's Preface to Lyrical Ballads, Hazlitt's Essay on the Principles of Human Action and Coleridge's Biographia Literaria. Milnes argues that it is in their oscillation between knowledge and indifference that the Romantics prefigure the ambivalent negotiations of modern post-analytic philosophy.
The Romantic Life
The world is disenchanted. Rationalization, intellectualization, and scientism rule the day. We used to see the world as a magical place, but now it's just a material space. How did we get here? The shift comes in part from the rise of a certain kind of secularism, one that reduces human experiences to whatever is explainable through observation. Love? It's just a biological drive. Joy, a rush of adrenaline. Beauty, an influx of dopamine. If you can't test it, it isn't true; or so the thinking goes. The Romantic Life draws upon eighteenth- and nineteenth-century Romanticism to provide five strategies to re-enchant the world, five ways to imbue the world with meaning, truth, and beauty. According to the Romantics, far from being useless, encounters with "impractical" things like the imagination, nature, symbolism, sincerity, and the sublime give our lives a richness and depth that cannot be attained on a purely material account of the world. By learning from their example, we can come to see "into the life of things," as William Wordsworth called it. We can be re-enchanted.
Literature and Philosophy in Nineteenth-Century British Culture
This three-volume collection of primary sources examines philosophy and literature in the nineteenth-century Britain. Accompanied by extensive editorial commentary, this collection will be of great interest to students and scholars of British Literature and Philosophy.
Literature and Philosophy in Nineteenth-Century British Culture
This is the first volume in a three-volume collection of primary sources which examines philosophy and literature in nineteenth-century Britain. Accompanied by extensive editorial commentary, this collection will be of great interest to students and scholars of British Literature and Philosophy.
Romantic Colonization and British Anti-Slavery
Publisher Description
European Literatures in Britain, 18–15–1832: Romantic Translations
Sheds new light on the presence and impact of Continental European literary traditions in post-Napoleonic Britain.
Scotland and the Fictions of Geography
Focusing on the relationship between England and Scotland and the interaction between history and geography, Penny Fielding explores how Scottish literature in the Romantic period was shaped by the understanding of place and space. This book examines geography as a form of regional, national and global definition, addressing national surveys, local stories, place-names and travel writing, and argues that the case of Scotland complicates the identification of Romanticism with the local. Fielding considers Scotland as 'North Britain' in a period when the North of Europe was becoming a strong cultural and political identity, and explores ways in which Scotland was both formative and disruptive of British national consciousness. Containing studies of Robert Burns, Walter Scott and James Hogg, as well as the lesser-known figures of Anne Grant and Margaret Chalmers, this study discusses an exceptionally broad range of historical, geographical, scientific, linguistic, antiquarian and political writing from throughout North Britain.
Romanticism and Caricature
A lively, richly illustrated study of iconic caricatures, showing the interrelationship between art, satire and politics in the Romantic period.
Fracture and Fragmentation in British Romanticism
What associates fragmentation with Romanticism? In this book, Alexander Regier explains how fracture and fragmentation form a lens through which some central concerns of Romanticism can be analysed in a particularly effective way. These categories also supply a critical framework for a discussion of fundamental issues concerning language and thought in the period. Over the course of the volume, Regier discusses fracture and fragmentation thematically and structurally, offering new readings of Wordsworth, Kant, Burke, Keats, and De Quincey, as well as analysing central intellectual presuppositions of the period. He also highlights Romanticism's importance for contemporary scholarship, especially in the writings of Benjamin and de Man. More generally, Regier's discussion of fragmentation exposes a philosophical problem that lies behind the definition of Romanticism.
