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Language, Vision, and Music
Language, vision and music: what common cognitive patterns underlie our competence in these disparate modes of thought? Language (natural & formal), vision and music seem to share at least the following attributes: a hierarchical organisation of constituents, recursivity, metaphor, the possibility of self-reference, ambiguity, and systematicity. Can we propose the existence of a general symbol system with instantiations in these three modes or is the only commonality to be found at the level of such entities as cerebral columnar automata? Answers are to be found in this international collection of work which recognises that one of the basic features of consciousness is its MultiModality, that there are possibilities to model this with contemporary technology, and that cross-cultural commonalities in the experience of, and creativity within, the various modalities are significant. With the advent of Intelligent MultiMedia this aspect of consciousness implementation in mind/brain acquires new significance. (Series B)
CMJ New Music Report
CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.
Akseli Gallen-Kallela
Akseli Gallen-Kallela (1865-1931) was a true homo universalis, a Renaissance man best known as a painter, but also an important figure in graphic art and an illustrator, and who designed his own live/work studios, furniture and soft furnishings. Over the course of his fin de siecle career, Gallen-Kallela progressed from realistic naturalism towards symbolism and linearity, progress particularly marked in his painted illustrations of the Scandinavian epic the Kalevala, and in sensitive portraits of subjects including Edvard Munch, Maxim Gorky and his friend Jean Sibelius. This long-overdue survey of his work appears on the 75th anniversary of his death, and on the occasion of the Holland Groninger Museum's full-scale retrospective, the first to bring such a large selection of Gallen-Kallela's work out of Scandinavia--and to the world.
The Book of Kings and Exilic Identity
Nathan Lovell proposes that 1 and 2 Kings might be read as a work of written history, produced with the explicit purpose of shaping the communal identity of its first readers in the Babylonian exile. By drawing on sociological approaches to the role historiography plays in the construction of political identity, Lovell argues the book of Kings is intended to reconstruct a sense of Israelite identity in the context of these losses, and that the book of Kings moves beyond providing a reason for the exile in Israel's history, and beyond even connecting its exilic audience to that history. The book recalls the past in order to demonstrate what it means to be Israel in the (exilic) present, and t...
The Cloud Sketcher
Spanning two continents and three decades, The Cloud Sketcher is an epic tale of love, murder and revenge. Police stand ready to make an arrest as the Ile de France liner docks at New York Harbour in 1929. The passengers assume that it is notorious bootlegger Paul Mantilini who is to be taken away. But Mantilini walks down the gangplank a free man and instead it is Esko Vaananen the police arrest - a celebrated architect, and by all accounts a shy and mild-mannered young man. Born a peasant in rural Finland at the turn of the century, Esko, the son of an outcast Bolshevik, dreamed of skyscrapers and of a beautiful and tragic Russian aristocrat named Katerina. His entire life has been spent p...
