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At the center of American history is a hole—a gap where some scholars’ indifference or disdain has too long stood in for the true story of the American Midwest. A first-ever chronicle of the Midwest’s formative century, The Good Country restores this American heartland to its central place in the nation’s history. Jon K. Lauck, the premier historian of the region, puts midwestern “squares” center stage—an unorthodox approach that leads to surprising conclusions. The American Midwest, in Lauck’s cogent account, was the most democratically advanced place in the world during the nineteenth century. The Good Country describes a rich civic culture that prized education, literature...
A riveting account of a gruesome triple-homicide at Beekman Place in Depression Era New York, with an intriguing cast of characters including the brilliant but mentally-disturbed sculptor, Robert Irwin.
Since its completion in 1932, the Nebraska State Capitol has been widely recognized as an architectural masterpiece, one that justifiably inspires pride in the citizens of the state and admiration in people everywhere. Rising four hundred feet from a massive two-story base, domed with gold-glazed tile and topped with a bronze statueøof a pioneer sower of grain, it can be seen for miles on the plains. This most striking of statehouses, designed by Bertram Grosvenor Goodhue in 1920 and under construction for a decade, successfully embodies the union of art, architecture, and humanism. A Harmony of the Arts: The Nebraska State Capitol surveys in words and pictures the architectural achievement...
This is the first installment of a fully illustrated catalogue of the Academy's priceless collection of paintings and sculptures.
In the years of reconstruction and economic boom that followed the Second World War, the domestic sphere encountered new expectations regarding social behaviour, modes of living, and forms of dwelling. This book brings together an international group of scholars from architecture, design, urban planning, and interior design to reappraise mid-twentieth century modern life, offering a timely reassessment of culture and the economic and political effects on civilian life. This collection contains essays that examine the material of art, objects, and spaces in the context of practices of dwelling over the long span of the postwar period. It asks what role material objects, interior spaces, and architecture played in quelling or fanning the anxieties of modernism’s ordinary denizens, and how this role informs their legacy today.
A journal of regional life and letters.
In the past few decades, thousands of new memorials to executed witches, victims of terrorism, and dead astronauts, along with those that pay tribute to civil rights, organ donors, and the end of Communism have dotted the American landscape. Equally ubiquitous, though until now less the subject of serious inquiry, are temporary memorials: spontaneous offerings of flowers and candles that materialize at sites of tragic and traumatic death. In Memorial Mania, Erika Doss argues that these memorials underscore our obsession with issues of memory and history, and the urgent desire to express—and claim—those issues in visibly public contexts. Doss shows how this desire to memorialize the past disposes itself to individual anniversaries and personal grievances, to stories of tragedy and trauma, and to the social and political agendas of diverse numbers of Americans. By offering a framework for understanding these sites, Doss engages the larger issues behind our culture of commemoration. Driven by heated struggles over identity and the politics of representation, Memorial Mania is a testament to the fevered pitch of public feelings in America today.
Long-Range Public Investment: The Forgotten Legacy of the New Deal is augmented by fifty-eight photographs.