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Jules Verne
  • Language: en
  • Pages: 260

Jules Verne

Jules Verne's reputation undergoes a much-needed rehabilitation in the hands of Timothy Unwin, who reexamines the author's work, from his earliest writings to his later and only recently discovered manuscripts. Verne was, Unwin argues, a master of the self-conscious novel, his work a pastiche of science discourse, fictional and non-fictional writings, and flamboyant, theatrical narrative. Unwin makes a compelling case for Verne as a master of the nineteenth-century experimental novel, in the company of Gustave Flaubert and other canonical French writers. The text will be a wonderful addition to the shelves of those interested in science fiction, experimental writing, and critical theory.

Adapting Nineteenth-Century France
  • Language: en
  • Pages: 328

Adapting Nineteenth-Century France

Adapting Nineteenth-Century France uses the output of six canonical novelists and their recreations in a variety of media to push for a re-conceptualisation of our approach to the study of adaptation. The works of Balzac, Hugo, Flaubert, Zola, Maupassant and Verne reveal themselves not as originals to be defended from adapting hands, but fashioned from the adapted voices of a host of earlier artists, moments and media. The text analyses re-workings of key nineteenth-century texts across time and media in order to underline the way in which such re-workings cast new light on many of their source texts and reveal the probing analysis nineteenth-century novelists undertake in relation to notions of originality and authorial borrowing. Moreover, Adapting Nineteeth-Century France traces their subsequent recreations in a comparable range of genres, encompassing key modern media of the twentieth- and twenty-first-centuries: radio, silent film, fiction, musical theatre, sound film and television.

The Cambridge Companion to European Novelists
  • Language: en
  • Pages: 475

The Cambridge Companion to European Novelists

A lively and comprehensive account of the whole tradition of European fiction for students and teachers of comparative literature, this volume covers twenty-five of the most significant and influential novelists in Europe from Cervantes to Kundera. Each essay examines an author's use of, and contributions to, the genre and also engages an important aspect of the form, such as its relation to romance or one of its sub-genres, such as the Bildungsroman. Larger theoretical questions are introduced through specific readings of exemplary novels. Taking a broad historical and geographic view, the essays keep in mind the role the novel itself has played in the development of European national identities and in cultural history over the last four centuries. While conveying essential introductory information for new readers, these authoritative essays reflect up-to-date scholarship and also review, and sometimes challenge, conventional accounts.

Flaubert: Transportation, Progression, Progress (Le Romantisme Et Après En France
  • Language: en
  • Pages: 210

Flaubert: Transportation, Progression, Progress (Le Romantisme Et Après En France

  • Type: Book
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  • Published: 2010
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  • Publisher: Peter Lang

A belief in progress tells us something about the way a society views itself. Progress speaks of confidence, optimism and dynamism. It assures us of pattern and structure. In the nineteenth century, as the Christian model of development is increasingly challenged and as geological findings expand understanding of history, so progress emerges from the Enlightenment as an ever more acute subject for debate. This book addresses the theme of progress and patterns of progression in the work of Flaubert. Through close textual analysis of his works and particular scrutiny of his narrative structures, this book argues that Flaubert's position in the mid-nineteenth century situates his work at an int...

The Cambridge companion to Flaubert[
  • Language: en
  • Pages: 230

The Cambridge companion to Flaubert[

  • Type: Book
  • -
  • Published: 2004
  • -
  • Publisher: Unknown

"Textual analyses of the full range of Flaubert's work, including Madame Bovary, are accompanied by discussion of broader theoretical issues, and of Flaubert's place in the canon of French literature."--[Source inconnue].

Arctic Discourses
  • Language: en
  • Pages: 360

Arctic Discourses

Both fictional and non-fictional accounts of the Arctic have long been a major source of powerful images of the region, and have thus had a crucial part to play in the history of human activities there. This volume provides a wide-reaching investigation into the discourses involved in such accounts, above all into the consolidation of a discourse of “Arcticism” (modelled on Edward Said’s concept of “Orientalism”), but also into the many intersecting discourses of imperialism, nationalism, masculinity, modernity, geography, science, race, ecology, indigeneity, aesthetics, etc. Perspectives originating from inside and outside the Arctic, along with hybrid positions, are examined, wit...

Surrealism, Science Fiction and Comics
  • Language: en
  • Pages: 280

Surrealism, Science Fiction and Comics

Although the self-definition of Surrealism and the initial defining of science fiction as a genre both took place in the 1920s and the links between the two are manifest, no full study has appeared till now on Surrealism and SF. Across ten original essays, Surrealism, Science Fiction and Comics looks at how the Surrealist movement in France and the USA used, informed, contributed to, and criticised SF from that moment, whilst including discussion of the related genre of comics. Among its aims are a reassessment of Jules Verne in the light of Surrealism and an analysis of the debate in the 1950s on the 'new' Anglo-American literature arriving in France. This received, in fact, a mixed recepti...

Vision in the Novels of George Sand
  • Language: en
  • Pages: 180

Vision in the Novels of George Sand

The author offers the first study of vision in the works of George Sand. He argues that, rather than rejecting reality in favour of the ideal, he integrates physical observation with internal forms of seeing such as the imagination and visionary insights.

French Wine
  • Language: en
  • Pages: 348

French Wine

"A fascinating book that belongs on every wine lover’s bookshelf."—The Wine Economist "It’s a book to read for its unstoppable torrent of fascinating and often surprising details."—Andrew Jefford, Decanter For centuries, wine has been associated with France more than with any other country. France remains one of the world’s leading wine producers by volume and enjoys unrivaled cultural recognition for its wine. If any wine regions are global household names, they are French regions such as Champagne, Bordeaux, and Burgundy. Within the wine world, products from French regions are still benchmarks for many wines. French Wine is the first synthetic history of wine in France: from Etru...

The Cambridge Companion to Baudelaire
  • Language: en
  • Pages: 268

The Cambridge Companion to Baudelaire

Charles Baudelaire's place among the great poets of the Western world is undisputed, and his influence on the development of poetry since his lifetime has been enormous. In this Companion, essays by outstanding scholars illuminate Baudelaire's writing both for the lay reader and for specialists. In addition to a survey of his life and a study of his social context, the volume includes essays on his verse and prose, analyzing the extraordinary power and effectiveness of his language and style, his exploration of intoxicants like wine and opium, and his art and literary criticism. The volume also discusses the difficulties, successes and failures of translating his poetry and his continuing power to move his readers. Featuring a guide to further reading and a chronology, this Companion provides students and scholars of Baudelaire and of nineteenth-century French and European literature with a comprehensive and stimulating overview of this extraordinary poet.