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Sixty short stories and poems reveal the sometimes heartbreaking, often affirming tales of adoption. Written from the point of view of birth parents, adoptive parents, and adoptees, this unique anthology spans nations and cultures. Includes works by Isabel Allende, Charles Baxter, Edward Hirsch, Alison Lurie, Joni Mitchell, Alberto Rios, Mary TallMountain, and others.
Drucilla Cornell interweaves the ethical and the political in this unique and profound narrative, focusing on women and dignity.
The nine essays in Asian North American Identities explore how Asian North Americans are no longer caught between worlds of the old and the new, the east and the west, and the south and the north. Moving beyond national and diasporic models of ethnic identity to focus on the individual feelings and experiences of those who are not part of a dominant white majority, the essays collected here draw from a wide range of sources, including novels, art, photography, poetry, cinema, theatre, and popular culture. The book illustrates how Asian North Americans are developing new ways of seeing and thinking about themselves by eluding imposed identities and creating spaces that offer alternative sites from which to speak and imagine. Contributors are Jeanne Yu-Mei Chiu, Patricia Chu, Rocio G. Davis, Donald C. Goellnicht, Karlyn Koh, Josephine Lee, Leilani Nishime, Caroline Rody, Jeffrey J. Santa Ana, Malini Johar Schueller, and Eleanor Ty.
Generations of adults who were adopted as children have been kept in the dark about their original identities. The law sealing birth records, passed in 1935 in California during the Great Depression, swept adoptions emotional complexities under the rug and made it possible to keep adoption itself a secret. Reflecting extensive archival research and written for general audiences as well as professionals, Growing in the Dark: Adoption Secrecy and Its Consequences takes you through Californias early adoption laws, the sealing of records in the era of baby seller Georgia Tann, and the various consequences of this policy as they unfolded throughout the 20th century. WHAT REVIEWERS HAVE SAID: "......
USE YOUR WORDS introduces the art of creative nonfiction to women who want to give written expression to their lives as mothers. Written by award-winning teacher and writer, Kate Hopper, this book will help women find the heart of their writing, learn to use motherhood as a lens through which to write the world, and turn their motherhood stories into art. Each chapter of USE YOUR WORDS focuses on an element of craft and contains a lecture, a published essay, and writing exercises that will serve as jumping-off points for the readers’ own writing. Chapter topics include: the importance of using concrete details, an overview of creative nonfiction as a genre, character development, voice, hu...
“A bold and passionate new collection... Intimacy is rarely conveyed as gracefully as in Bass’s lustrous poems.” —Booklist Indigo, the newest collection by Ellen Bass, merges elegy and praise poem in an exploration of life’s complexities. Whether her subject is oysters, high heels, a pork chop, a beloved dog, or a wife’s return to health, Bass pulls us in with exquisite immediacy. Her lush and precisely observed descriptions allow us to feel the sheer primal pleasure of being alive in our own “succulent skin,” the pleasure of the gifts of hunger, desire, touch. In this book, joy meets regret, devotion meets dependence, and most importantly, the poet so in love with life and l...
DIVEngaging essays on the theme of adoption as seen in literary works and in writings by adoptees, adoptive parents, and adoption activists /div
College and Lansdowne in Toronto? That's where I live. Honestly, I don't really like it. At Lansdowne you have the first evidence of suburbia; I live above a small proto-stripmall which houses a Harvey's, a Domino's Pizza and a 7-11. I buy cream and newspapers at the 7-11, the occasional veggie burger at Harvey's and the very very occasional pizza from Domino's. For some reason, pizza just doesn't hold the thrill it used to. Nothing does. Theatre doesn't have much relevance anymore. Or so acclaimed playwright Darren O'Donnell tells us. The dynamics of unplanned social interaction, he says, are far more compelling than any play he could produce. So his latest show, A Suicide-Site Guide to the...